By: Luke Beal and Nova Lear

The Beatles are one of, if not the most, influential rock bands of all time. The members of the band are Paul McCartney, John Lennon, George Harrison, and Ringo Starr. Now, everybody listens to the Beatles or at least has heard of them, but it's common for people to ask others who their favorite Beatle might be, and in this story we will both discuss the reasons for our favorite Beatle.

Luke's Take

I believe that John Lennon is the most creative and, in my opinion, the best Beatles member out of the whole group.

I could see some reasons why some might think someone such as Paul, known for his charisma and his overall amazing music talent, or George, who was a great guitar player and songwriter. However, I believe that both have flaws that John did not.

While Paul was creative, he was very controlling later on in the Beatles' career, leading to him trying to be in charge of everything and trying to fill the empty void left after their former manager, Brian Epstein, passed.

George was held back by both Paul and John. An example of this is whenever George had a song that he wrote that he wanted to do with the band, they never fully appreciated his work.

There's evidence of this tension between Paul’s control of the band and George wanting to do a lot more than Paul allowed him. In the Get Back documentary, Paul and George were arguing about how George appeared uninterested in working with them, which led back to a previous argument they had where George wanted to play guitar on “Hey Jude” but Paul refused saying “It didn’t make sense” without even trying.

For these reasons, I believe that John was the most creative and influential member of the Beatles. John was the main creative force in the psychedelic era that they were in with albums like "Sergeant Pepper's Lonely Hearts Club Band,” “Magical Mystery Tour,” “Yellow Submarine,” and “Revolver,” which in my opinion was the era that really showed the knowledge and the creativity of John and left an everlasting impact on what music could even be. John Lennon also had many recording ideas for songs of his.

For example, for the song “Yer Blues,” after a producer in the EMI music studio recommended as a joke that they recommend in his song in the smallest closest that is in the studio, John Lennon said the very next day they were going to fit a full drum kit, bass, guitar, amps, microphones, and other equipment all in a 8 foot by 15.5 foot closet. Another example of John’s creativity is songs such as “Strawberry Fields Forever” and “Lucy in the Sky with Diamonds,” where both paint clear pictures of a world, or rather an experience of each song.

This is one of just many examples showing how John’s creativity and both recording and music writing prove that John Lennon was the best Beatle in the band.

Nova's Take

While John Lennon is often recognized as the “Best Beatle,” there are many factors that would say otherwise. Overall, based on talent, solo career, and impact on The Beatles, I would say that Ringo Starr is the best Beatle.

To begin, one must consider the unique drumming style that Starr used.

"I'm no good on the technical things ... I'm your basic offbeat drummer with funny fills ... because I'm really left-handed playing a right-handed kit. I can't roll around the drums because of that,” Starr said.

While Starr is limited in the way that he learned, he has a tremendous feel for the drums, and his ability to play in the pocket is unlike any other. This is crucial when playing in a band like The Beatles, where everyone knows every song, and one mistake can be detrimental. The Rolling Stones Magazine even listed Starr as the fifth-best drummer of all time.

Starr also sang for The Beatles, and with a baritone range, he added a deep undertone to songs like “Maxwell’s Silver Hammer,” “I Wanna Be Your Man,” and “Boys.” He was also credited with the sole creation of  “Octopus’s Garden” and “Don’t Pass Me By.”

Starr’s solo career is often overlooked in comparison to Wings (Paul McCartney’s Band after The Beatles), George Harrison, John Lennon, and Plastic Ono Band, but in my opinion, Starr’s solo career is vast and wildly underrated. With soon to be 26 albums over the course of 56 years, Starr has been consistently releasing new music, with a new album to be released on April 24, 2026.

Aside from drumming, Ringo is also a notable actor in Frank Zappa’s “200 Motels,” the slapstick film “Caveman,” Ken Russle’s “Lisztomania; and in a Japanese apple juice commercial. Starr even narrated “Thomas The Tank Engine" from 1989 to 1990.

Overall, Starr is immensely talented in many aspects, as shown through his musical composition, acting, and vocals. Berklee College of Music awarded Starr with an Honorary Doctorate of Music due to his immeasurable impact on music, television, and pop culture. Starr was also inducted into the Rock N’ Roll Hall of Fame. While he was the last Beatle, he was inducted with the “Musical Excellence” category, instead of “Performer” with the rest of the band.

From a 63 year music career, Starr has been a part of many feature films, released over 30 albums across multiple genres and projects, written and produced songs for one of the greatest bands of all time, and was given an honorary doctoral degree for music; it is clear that Starr is the best Beatle for how talented he is in more than just music.

Personal style is something that is unique to everyone, as said in the phrase itself, but as the internet has become widespread, personal style has become much less personal. It seems as though microtrends have taken over the closets of the masses, and once one person has something new, everyone has to have it. The “everyone has to have it” mentality is a large factor in modern consumerism culture. This often leads to overconsumption.

One example of this is the viral coral foldover pants, which are from Aniko. These pants have taken the internet by storm, and despite their steep price, many are splurging on them. Now this is not everyone, but a portion of the people buying these pants are buying them because they are trendy, and not because they actually fit in their style. This then leads to these pants living in the back of wardrobes, and after a few months, in a landfill or thrift store.

One of the biggest issues in my opinion, is the flock that many do anytime there’s a new cute piece or print. When thinking about this technically, this is an example of the bandwagon fallacy. Just because everyone is doing something, that means I must do it, too, which in many cases is not inherently correct. This need to buy something just because everyone else does is an example of overconsumption that many do every day. One might see a cute cow print top on Pinterest, then that top might be seen on someone at the grocery store. The seed is planted, and eventually, one might buy the top because others are. This then circles back to if one will actually wear it, and if not, it will end up in the thrift or in the trash.

When following trends, there is a bell curve to adaptation. The early adopters are in the first 15%, and often these early adopters are on top of what is “in” each season. They are quick to jump on a new piece and add it to their wardrobe. This then leads to the early and late majority. This is where most people fall; they see something beginning to pop up, so they partake as well. The late majority falls soon after, and finally, laggards begin to adopt, which, by this time is when a trend cycle begins to end.

Considering the bandwagon effect and the bell curve of fashion adaptation, it circles back to the idea of personal style, which can be defined as: things one will wear on the daily, the image that one will present themselves as. There are many labels one can use to describe their personal style: cottage core, whimsy goth, twee, preppy, and so much more. These labels are used more now than ever, and the internet may be a root cause. There is a need to define one’s identity, to show that they are aware of one’s attributes. This is present in more than just fashion, but personal identity as well. Now with the internet and every style at one’s fingertips, the idea of personal style is slowly fading away.

Many will see a style they like and rebrand themselves to fit a certain image perfectly. One example is the alternative wave that happened in 2020. With everyone in quarantine, many weren't as concerned with dressing up for school, so they began experimenting with different styles. From bucket hats to eyeliner wings that could let someone fly away, 2020 was a year for experimentation. One would find a cute thing at Hot Topic, and the next week that would be their whole wardrobe. The aftermath of this can be seen now, with the band tees and YouTube creator merchandise filling Goodwill racks.

This is not a new problem, but it has been amplified in recent years. In the past, one could see a celebrity and base their style off of that, but what separates the overconsumption from the past to now is the ease of purchase. With the creation of Amazon, Shein, etc, there is a convenience that has never been seen before. One can buy anything at their fingertips and it will arrive in three to five business days. This leads to the equation of consumption. Convenience plus disposable income plus microtrends equals overconsumption.

Now I am not saying that the internet has killed personal style because many out there have unique styles. I am also not saying that following trends is a bad thing, but what I am saying is that the following of trends at the rate many are is causing overconsumption to continue to rise. The overconsumption of textiles is extremely wasteful, and with the amount of clothing that has been thrown out, it is enough to clothe the next three generations with some to spare.

When buying new clothes, it’s important to consider if one is buying this because it is trendy or if it is actually something that one will wear. Overall, with the trend cycle speeding up, it is not completely bad, it allows others to be introduced to more styles from different cultures at a faster rate, but when this leads to unnecessary consumption, it is when it becomes a problem for one’s wardrobe and the environment.

Released in 1995 to RCA Records, You’d Prefer an Astronaut was the third studio album by the alternative rock band Hum.

The album opens with the song “Little Dipper,” which immediately sets the tone for the album. The instrumentals are dreamy–ethereal almost–and it transports the listener into the cosmos. It then continues with the song “The Pod,” which was released as a single before the album’s release.

The next song is “Stars,” which was the first single from this album and was released on May 22, 1995. This is then followed by “Suicide Machine” which is my favorite song from the album. “The Very Old Man” is the next track, and it brings contrast to the atmosphere of the album.

“Why I Like The Robins” is the most popular song from the album, and is one of the band’s most streamed songs on Spotify and other platforms. “I’d Like Your Hair Long” was the final single released in 1996 and is again one of the most popular songs from this album.

The album concludes with “I Hate It Too,” followed by “Songs of Farewell and Departure.” These songs bring the album to a close that feels full circle. Each track flows into another, and the whole album feels like getting lost in space.

This album is similar to My Bloody Valentine’s Loveless, in the dream-like atmosphere and the crunchy, distorted sound. The production is also similar to the album Dirty, by Sonic Youth, which is one of my favorite albums of all time.

This album is like trying to remember a dream from childhood. Memories are fading in and out, bits and pieces can be remembered, but nothing can be pieced together fully. One can grasp onto these memories all they want, but eventually everything will be lost and forgotten. It  brings a feeling of loss, like trying to hold on but knowing it will never come back.

You’d Prefer an Astronaut is an emotional and dreamy album that evokes many feelings for listeners, and many artists have cited Hum for their influences.

“This is a heavy record, and it’s where Deftones get a big part of our influence from, tone-wise. There are these huge chords going on, a huge backbeat, rolling basslines going on underneath, a lot of that has directly inspired certain songs. There’s a wall of sound guitar, it’s heavy and even bombastic in a way, but it’s produced very well,” Chino Moreno, singer of Deftones, said in an interview with Quietus.

This album is one of my current favorites, and I would recommend this to anyone who enjoys Sonic Youth, Pavement, Deftones, My Bloody Valentine, and other ‘90s alternative rock bands. In my opinion, this album is best listened to on CD in the car, driving home after a long day, but this album is one that can be listened to anywhere. It’s emotional and can make different people feel different things. Overall, this album is an underrated gem that has influenced my current music taste in a new way.

La Porte High School students participated in a walkout to protest against ICE in La Porte on February 9.

This protest was organized by sophomore Hannah Delaney and senior Gio Larocco over the course of one week, and over 250 students came together to protest. Students were encouraged to make signs, spread the word, and this protest brought together a community of people at LPHS who are working to make change.

“I have always been against ICE. Their violence is unlawful, unjust, and unconstitutional; it is sickening and inhumane. I understand the reason why ICE was created, to investigate and detain illegal immigrants. However, it has drastically escalated into a violent and hateful agenda,” Delaney said.

Students stood outside the courthouse with signs and protested for the change that they feel needed. Liberty and justice for all was called for, and students expressed their frustration in a way that was peaceful and influential. These students are fighting to make a difference, and they are making a positive impact on LPHS and the community.

Young adults now will be the ones making change in the world. There are walkouts being held across the country in protest to ICE, and these students will be the ones to make a change. When the current state of the world seems dystopian, there are people who are working to make the world a better place for everyone.

Across Indiana and even the country, students from many schools are protesting against ICE. In even the most conservative schools, many are walking out and making a difference. This is not just in La Porte, not even just in Indiana. Walkouts are happening across the country. From New York to California, students are demanding change.

Music is the universal language, and each culture across the world has their own form of music. From folk tunes to orchestral to pop, music has been crucial to the human experience since the dawn of time. The way we listen to music has evolved as well, beginning with only live music, but humans wanted another way to play their music that was outside at a concert hall.

According to Wikipedia, the history of sound recordings can be divided into four eras: acoustic, electrical, magnetic, and digital. The acoustic era lasted until 1925 and used entirely mechanical devices, such as Thomas Edison’s phonograph. These devices were soon replaced by the first discs, which had grooves that played back music.

According to Descant Studio, the first rendition of the modern LP (Long Play) record was made in 1948 and was introduced by Colombia Records. The early records only played 21 minutes per side, and the quality was not up to the standard of today. The vinyl used in early records was fragile, but then in the 1950s, the durable vinyl used today was the standard.

On the other side of the world, Germany was producing another way to listen to music. The magnetic tape was a multi-track recording device that could only be recorded in one take. According to the Disc Manufacturing Service, it allowed all instruments to be recorded separately and mixed together. This then led to the creation of the eight track tape, which could be used outside of the studio. These were the first way to listen to recorded music outside of the radio in the car, which only boosted their popularity more.

The Sony Walkman came soon after. It was a cassette player that clipped to one’s belt, or it could be held in one’s hand. It was a convenient way to play music on the go. Cassettes could be played in the car, when walking to school, anywhere. At the time, this was the most convenient way to listen to music on the go.

The 1980s was a decade for a revolution in music. The CD (Compact Disc) was the easiest and most convenient way to listen to music. With the slim, compact design, many could be stored in a small place, they can hold over 75 minutes of recording, and many of the audio issues that records and eight track tapes had were gone.

CDs had their own version of the Sony Walkman: the Discman. This on the other hand, was nowhere near as convenient. Skipping was frequent, and one had to hold it in a certain way so that the audio would play properly. The convenience of CDs was immediately lost with this invention, and they still were not as durable as cassettes.

The digital age of music began with the MP3 recording. Any song could be downloaded, paid or otherwise, and moved onto an iPod, CD, anywhere. Songs could be skipped at any moment, and one could shuffle through their library for a song at any time. The convenience was unmatched, but all of this was at the cost of the chance of getting a virus. Pirating songs was common, which meant the chance for viruses, wrong songs, and more. The quality is also not as good as a CD or a record, and over time it can get worse.

Currently, nearly everyone listens to music on streaming services like Spotify, Pandora, Apple Music, and others. The quality of these songs is top notch, with the right equipment, and one can play any song at their fingertips, but now, no one owns their music. In the past, one would have a shelf full of records, a drawer full of cassettes, a wall of CDs, but now, everything is stored on a phone or computer. If the internet goes out, many will be left without tunes to bop.

As someone who had grown up in a digital age, I’ve begun to recognize the importance of physical media. When the internet goes out, I still want to be able to play my favorite albums, and when I want to find new music, I can listen to a compilation album that will give me artists similar to the ones I enjoy. In the car, I can play a mixed CD of all of my favorite songs, and I can burn CDs for anyone in my life.

Physical media is so much more than reducing consumption. It's a way to connect with others, and I believe that sharing media is a lost art. Trade albums with friends, get your favorite artist’s new album on vinyl and have a listening party, watch a horror movie on VHS, anything to connect back to a lost form of media enjoyment.

The music scene in Northwest Indiana previously thrived in the ‘90s and early 2000s. Bands played shows every weekend, and different venues thrived from Chesterton to Mishawaka. Now, many of these venues have closed, don't allow bands, or have become abandoned over the years, but the scene hasn’t completely faded. There are some venues cultivating this community that have since died in other places.

Joybomb Social Center

My first discovery was Joybomb Social Center in Lake Station. This radical social center has so much more than live music including movie screenings, board game nights, painting parties, and arts and crafts. Joybomb also does monthly potlucks to provide for the local community. This venue hosts shows often, and the genres range from emo to hardcore, and all of the events hosted are pay what you can (PWYC), which allows anyone to go.

Their next show is a tour kickoff for Baragon, as well as Aelia and Tell Me About God. This screamo show is $10 PWYC, and it takes place on Thursday, February 12. Doors will open at 6 p.m., and music will start at 7 p.m.

After this, on Saturday, March 21, the bands Varsity Font, Know Pain, Toothpick, Mortal Draw, and Baragon. Many of these bands are from the South Bands suburbs, and this show is presented by Varsity Font. This will also be the band’s Limited Effort’s first show. Entry will be a $10 donation/PWYC. Doors will open at 5:30 p.m., and music will start at 6 p.m.

These will both take place at 2584 Clay Street, Lake Station.

Grindhouse Cafe

The Grindhouse Cafe is a local coffee shop, music venue, and in-house bakery that has multiple locations across NWI from Highland to Griffith to Whiting. I discovered this venue through their Punk Rock Flea Markets, and immediately I was captivated by everything they do. All events listed will be at the Highland Grindhouse location unless specified otherwise. The address is 3805 Ridge Road, Highland.

There is a wide range of upcoming events, from a Canadian Rifle, Exedo, Obsess Tact, and Bad Crime concert happening on January 25. This will be at 7 p.m. and cost $10-$15 or PWYC to enter.

There will be CPR/AED & basic life saving classes with Safety Dave at 9 a.m. and 11:30 a.m. on January 28, February 11, and February 25. More information can be found at safetydavecpr.com

In February, there will be multiple Valentine’s Day events, starting with Grindhouse is for Lovers, a Valentine’s market on February 7. This event will be from 1:00 p.m. to 4:00 p.m. The next day, there is Love and Lattes, a low-sensory Valentine’s social. This will be from 11:00 a.m. to 3:00 p.m. on February 8, and this is hosted by Kaleb’s Klub. Then there will be a Valentine’s Cup Sleeve event from 2:00 p.m. to 6:00 p.m. on February 13, and this features KPOP Dreamz Shop.

These events, as well as many more, are hosted to cultivate community in NWI, and many of these events are free or extremely affordable, so they are definitely worth a visit!

LangLab

I’ve mentioned LangLab a few different times, mainly because over the past few years, LangLab has become more than just a venue. It has become the third space that many individuals have been looking for. With shops to arcade games, this venue is much more than a place to host live music.

The Lens Lounge is a new addition to LangLab and is in the upstairs portion, which also features studios for rent. It is an on-demand photography rental space that features scenes to take photos, interesting visual spaces, and so much more. On January 30, the Lens Lounge will be hosting a dance party to celebrate its one-year anniversary. Visuals will be done by Actionadam. There will be food, drinks, and a community gallery exhibit. This will be from 6:00 p.m. to 10 p.m.

Then on February 11, there will be a Bob Dylan solo tribute show done by Chrome Horse. This will be at 7:00 p.m. to 10:00 p.m. The tickets are $12 online, and the location is at 1302 High Street, South Bend.

It’s the summer of 1989, and Courtney Love put out an advertisement in the Recycler Magazine for a band. The influences mentioned were Fleetwood Mac, Sonic Youth, and Big Black. The first to reach out was Eric Erlandson, and together they created many of the band’s releases. Then with the addition of Lisa Roberts on bass, and Caroline Rue on drum kit, the shell of Hole formed.

After multiple members left and joined the band, Kim Gordon from Sonic Youth producing their early singles, and Love working as an exotic dancer to pay for equipment and shows, Hole was beginning to take shape The album Pretty on the Inside, released in January of 1991, which earned a spot on Spin’s “20 Best Albums of the Year.” It was abrasive, it was raw, and it drew influence from the punk rock and the sludge metal artists that came before. This album gained a cult following quickly, and even now, this album has a raw edge that is near impossible to emulate.

In 1992, Love and Erlandson began writing their second album; Love wanted to take a more melodic and controlled approach, a stark contrast to the grit of Pretty on the Inside. This led to bassist Jill Emery and drummer Caroline Rue to leave the band.

In an advertisement to find a new bassist, Love said, "[I want] someone who can play ok, and stand in front of 30,000 people, take off her shirt and have 'f*** you' written on her t***. If you're not afraid of me and you're not afraid to f****** say it, send a letter. No more p******, no more fake girls, I want a w**** from h***."

When Live Through This was released on January 1 1994, it was only one week after the passing of Love’s husband Kurt Cobain, and in the wake of tragedy, the album was a critical success, being named Album of the Year by Spin and Rolling Stone commenting "[This album] may be the most potent blast of female insurgency ever committed to tape"

The album begins with the song “Violet,” which was inspired by Love’s past relationship with singer and guitarist Billy Corgan of Smashing Pumpkins. It’s one of the heaviest songs on the album, and it takes influence from their earlier album and singles. The aggressive feedback and screaming guitar sound gives it a distinct sound that is reminiscent of the album Dirty by Sonic Youth.

“Miss World” is the second track on the album, and it is a stark contrast of the aggression that “Violet” presented. It begins slowly, and it builds to that signature raw sound that shows every emotion Love was going through at the time. This song is about her self image, and how outer beauty doesn't compare to the inner beauty and turmoil that many experience.

“Plump” is an autobiographical tale of motherhood and the postpartum depression that Love faced after the birth of her daughter Francis Cobain. This song is filled with honest and deeply uncomfortable truths, as well as the image that Love has to uphold, and the pressure that comes with it.

There is a shift with the song, “Asking For It,” which was inspired by an occurrence at a 1991 concert when Hole was touring with Mudhoney, in which Love was assaulted and had her clothes ripped off of her while crowdsurfing, leaving her entirely naked, and was written entirely during the album's recording sessions. It's a punk rock ballad that leaves an almost dirty feeling after. This song is deeply meaningful, and a last minute decision for the album.

“Jennifer’s Body,” much like the cult classic film and the previous song, discusses the themes of female objectification and a monster-like transformation. The song devours the listener whole, consuming the listener with an emptiness that is filled with a driving guitar riff and hypnotizing vocals. The gritty intensity from earlier in the album is brought back, and there is a noticeable shift from before. This song is also a personal favorite of mine from this album, and their discography as a whole.

“Doll Parts” then quickly goes back to that slow, melancholy feeling that is felt at the beginning of “Miss World.” This song is written about Cobain and Love, and her feelings of loneliness, vulnerability, and being broken. This song is about feminine rage, fury even, insecurity, and her destructive desires. In the line, “Someday you will ache like I ache,” it clearly shows her rage, but when this album was released, it gained a more tragic meaning due to Cobain’s death.

“Credit in the Straight World” is my favorite song off of this album, and it is a Young Marble Giants cover, and it’s an anthem for all those misunderstood. It shows her feelings of being undervalued and unused, and it has more early punk rock elements than many of the other songs on this album.

“Softer, Softest,” again is back to a slower, more mellow feel and is about the feeling of not being enough, or feeling like a freak or an outcast. This song reminds me a lot of the movie Carrie, with the ostracization that both Love and Carrie felt throughout their lives. There is a self-loathing in both elements of media, but one makes music and the other one burns down their prom.

“She Walks On Me,” sounds as if it could have been released on their first album. It's unapologetically angry and tired. Love wrote this about feeling controlled and used, and it discusses the unhealthy dynamics she experienced in previous relationships. She is tired of being used, and she is tired of shutting her mouth. This song expresses many of her deep frustrations, making it another one of my favorites from the album.

“I Think That I Would Die,” is a rock ballad about the custody battle between Love and Cobain after the birth of their daughter. This song is again, unbelievably raw, with the lyric, “Where is my baby?" being repeated over and over again, leading to a mix of feelings as a listener. Love is tired and frustrated, and it's extremely clear throughout the song and the whole album where that comes from.

“Gutless” again goes back to the band’s punk roots, with a driving bassline that keeps the song going, but it doesn’t talk about frustration or struggle, it’s about resilience and defiance. If people put Love in a box, she will do anything to get out. This lashes out at critics and anyone who tries to tear her down, because she is aware that she's a force to be reckoned with.

The final track, “Rock Star” is a critique on Riot GRRRL culture, it mocks the people who are punk for the aesthetic, the conformists who are only there to make people mad. Love has often been lumped into the Riot GRRRL scene, and she has repeatedly tried to separate herself from that label.

According to Spin Magazine, Live Through This is both a scruffier and more commercial record than Pretty on the Inside. The angsty rants of yore remain, but they're decorated with more poetry. Milk (as in mother's) is a recurring motif, as is dismemberment. Female victimization remains the overall theme. This time depersonalized into odd, accusatory mini-narratives in which a variety of female characters receive the protection of Love's tense, manic-depressive singing. Hers is a natural songwriting talent, full of excellent instincts, and yet wildly unsophisticated.

This album is unapologetic and a staple in ‘90s rock music. While Love is controversial in many ways, her music is often regarded as raw and unfiltered. She isn’t afraid to express emotions in her music, and it feels real in a way that many artists try to replicate but fail miserably at. Now that this album is 36 years old, many of these themes still apply to women across the world. The feelings of vulnerability, frustration, rage, melancholy, are all aspects of life that so many deal with on a daily basis, and this album has songs that reassure the listener that their frustrations are understood. Overall, this album is one of my favorites of all time, and I would recommend it to anyone looking for an album that expresses frustration and pure feminine rage unlike any other.

Whitney England is returning to LPHS as an agriculture teacher, and she is taking over as one of the co-advisors for Future Farmers of America (FFA).

England has been teaching at La Porte Community Schools for over 15 years, and she previously taught English at La Porte Middle School for 10 years and agriculture for five. Currently, she teaches Animal Sciences and Agricultural Fabrication.

The FFA program and agricultural pathway is relatively new at LPHS, and England is excited for the opportunity to work with the students in a variety of fields. She will be focusing on the livestock side of FFA while Katie Parsons will lead students on the environmental side. Together, they aim to bring students towards the world of FFA and show how beneficial and rewarding this program can be.

“I would really like to see kids have more interest in competing in some kind of career development events and really try to build strong teams. I know in the past they have had some trouble getting kids interested in doing it and following through once they sign up. My goal is to try and make training sessions and practices informative so that they really want to compete and get better,” England said.

Outside of FFA, England was a 10-year 4-H member and is still a 4-H leader. She worked at many events, from showing sheep and draft horses to cake decorating, photography, and gift wrapping.

England, while a current agriculture teacher, previously taught English, and throughout her teaching career, has kept consistent goals as an educator. She aims to give lessons that are genuinely interesting in the subject area that is being discussed. By creating labs and activities that relate to the course material, she gives students opportunities to experience the material hands-on, in a way that not many other classes do.

“Now that I’m teaching at the high school, I’m really excited because I feel like now I have an opportunity to really challenge some kids in an area where they may not have been challenged. I really have a lot of freedom to really show them things that they may not have known previously…I want students to feel empowered by their education and let them know that their knowledge is power and that the more they know, the better,” England said.

England is making an immense impact already on the students at LPHS. With her 4-H background, she plans to bring that into the world of FFA, and she hopes to help the group compete to their very best. She also hopes to empower her students with knowledge and education that will stay with them even past high school.