I love it when movie critics share their favorite films of all time, and it's something I've wanted to do for a long time. My challenge has been that I hadn't seen enough films I could confidently call “the greatest.” However, now as an adult, I'm able to watch more mature films, which has opened my eyes to various filmmakers, techniques, and actors who I deeply appreciate. Movies are a form of art that deserve recognition and accolades. 

Over the coming months, I will share my top 50 films of all time. Please keep in mind that this list will not be updated as I see more movies. Out of respect for the films I've already selected, I will not include any great works of art I encounter after writing this list. 

I will list my favorite movies from 50 to 41. Note: there are minor spoilers ahead. So, without further ado, get the popcorn ready!

#50 Jurassic Park (1993)

Jurassic Park is the greatest, dumbest movie of all time. Dinosaurs in the '90s? What could go wrong? One thing that certainly didn't go wrong was the intricate filmmaking by Spielberg. A master of his craft, he brought the dinosaurs to life using CGI, which was groundbreaking for its time. He expertly cultivates a palpable sense of suspense during the iconic freezer scene in the final act, a moment so tension-filled that it can make even the most seasoned viewer leap out of their seats in shock. The chilling atmosphere is heightened by the flickering lights and eerie sound effects, immersing the audience in a state of anxiety as they anticipate the unexpected. Each heartbeat feels magnified, and the fear of the unknown keeps everyone on the edge of their seats, showcasing the filmmaker's masterful ability to grip the viewer's emotions. Accompanying this visual spectacle is John Williams' extraordinary score, which not only enhances the atmosphere but also evokes deep emotions, transporting viewers into the heart of the Jurassic world. His powerful compositions perfectly complement the film's adventurous spirit, turning every moment into a memorable experience. The sequels cannot undo the brilliance of the original film, which captures exceptional movie magic. 

#49 The Wave (2015)

The disaster film genre often runs the risk of becoming predictable, filled with explosive sequences, lackluster dialogue, subpar CGI, and a disappointingly formulaic final act. However, The Wave stands out as a notable exception to this trend. This Norwegian cinematic gem skillfully elevates the genre by introducing fresh and engaging elements. The plot centers around a catastrophic avalanche that triggers an 80-foot-tall tidal wave, which unleashes devastation upon a picturesque small town in Norway. Director Roar Uthaug masterfully crafts a sense of realism throughout the film, ensuring that the audience feels the weight of the impending disaster. He goes beyond just thrilling visuals; he develops richly drawn characters whose struggles and relationships resonate on a personal level. This character-driven approach provides a compelling emotional anchor that enhances the tension and stakes of the unfolding catastrophe. The Wave not only delivers heart-pounding action but also offers a poignant exploration of human resilience in the face of nature's unforgiving power.

#48 E.T. the Extra-Terrestrial (1982)

“I’ll be right here.”  

This poignant final line from E.T. the Extra-Terrestrial resonates deeply, leaving audiences with tears in their eyes and hearts full of emotion. The film masterfully explores the profound bond between a young boy named Elliott and a gentle alien stranded on Earth. Their friendship transcends the boundaries of their vastly different worlds, showcasing themes of compassion and acceptance. The shot of Elliott and E.T. riding on the bike is one of the greatest shots in cinema history as the aesthetics of the moon in the backdrop creates an imaginary innocence we all yearn for from childhood. Drew Barrymore is also a standout on screen in her film debut. Spielberg, once again creates a groundbreaking work that paves the way for future cinematic storytelling, blending science fiction with heartfelt human experiences. Spielberg’s masterful direction and ability to evoke such deep emotional connections further solidify his status as one of the greatest filmmakers in cinematic history.

#47 Past Lives (2023)

Past Lives was only nominated for two Oscars: Picture and Original Screenplay. Really! The film was robbed. Debut director Celine Song inserted herself into the ranks of Scorcese, Tarantino, and Spielberg with a heartbreaking film with a poignant message. Greta Lee and Teo Yoo delivered the best performances of that year. Two childhood friends share an unbreakable bond and explore narrow alleyways, crafting their elaborate story together. Their world is shattered when Lee’s family is presented with an opportunity to emigrate to South America for a better life. Time drifts them apart and it isn’t until the end of the film that they reconnect for the first time in decades. Yoo's character portrays a heart-wrenching longing for his childhood friend, a love from which Lee has already moved on. The film captures a poignant moment with Lee in tears, reflecting on the life she missed sharing with him. The silence at the end delivers a lasting impact that I will remember forever. 

#46 Stand by Me (1986)

Nope, this isn't the Ben E. King song of the same name. This is the quintessential Stand by Me, adapted from Stephen King’s short novella, The Body. The story follows four teenage friends growing up in King’s fictional Castle Rock, Maine, in the 1960s. They embark on a journey to find the body of a missing boy, facing dangers such as leeches, bullies, and the wilderness along the way. However, the real treasure of the story lies in their friendship. We all yearn for a friend group like theirs. Unable to fully embrace adulthood, they long to cling to their childhood innocence, sharing ghost stories around the campfire and cherishing their time together before life pulls them apart. When they finally discover the body of the missing boy, they are confronted with the grim reality of death, and a moment of silence signifies their crossing into adulthood. Rob Reiner masterfully directs this pivotal scene, which transforms the film into a classic.

#45 A League of Their Own (1992)

“There’s no crying in baseball.”

Tom Hanks delivers one of the greatest lines in movie history. He is great in Toy Story, Forrest Gump, and Saving Private Ryan; but A League of Their Own is one of his underrated projects. A fictionalized account of the real All-American Girls Baseball League during World War II playing for the Rockford Peaches. Geena Davis stars as the free-spirited Dottie who abandons her traditional homemaker life to play on the team with her sister, but it is Madonna who steals the film, showcasing her usual promiscuous spirit on and off the field. The ending runs the floodgates every time. The women reunite in present-day at an opening ceremony honoring the team. The themes of independence and women's empowerment hit hard with the stark reminder that women had to trade in their uniforms when the men returned home, indicating the women’s movement had yet to happen.

#44 The Creator (2023)

Another film that was robbed of at least a year’s Oscars. I am starting to wonder if the Academy Awards are scared to nominate sci-fi flicks. That shouldn’t be the case because The Creator is a masterpiece. Set in the distant future, where artificial intelligence has metamorphosed into humanoids and faces discrimination after causing a nuclear holocaust and war. John David Washington (Denzel Washington’s son) deserved at least an Oscar nomination for his work. He is tasked with delivering a secret technological device to government officials, only to discover it is a small humanoid child. Scarred from losing his wife, he forms a parental bond with the heartfelt child. The child (Madeleine Yuna Voyles) is the breakout star of the film. With little lines, she can capture the viewers with an impressive debut performance. The ending is heartbreaking and depressing, but it leaves a constant reminder that humans are to blame for mankind's actions. 

#43 Fried Green Tomatoes (1991)

I would have loved to eat fried green tomatoes at the Whistle Shop Cafe and connect with these amazing characters. They don’t feel like movie characters; instead, people. Spanning multiple generations, Fried Green Tomatoes delivers heartfelt laughs, emotional scenes, and the power of female friendship. Half of the film takes place in the ‘30s with Mary Stuart Masterson and Mary Louise Parker and in the 90s with Kathy Bates and Jessica Tandy. The friendships mirror each other, as both pairs face neglect and abuse from their spouses, loss, and resilience growing with one another. Kathy Bates offers a stark contrast between her role as Annie Wilkes in Misery the previous year with an astonishing underrated performance that was robbed of an Oscar nomination. Cmon, Oscars; get it together. 

#42 Waiting for Guffman (1996)

Christopher Guest is a comedic genius. From turning it up to 11 in This is Spinal Tap, a dog show in Best in Show, and a musical reunion in A Mighty Wind; his best project is Waiting for Guffman. His usual mockumentary filmmaking is present here also as the film depicts Blaine Missouri’s summer low-budget production of Red White and Blaine honoring the 150th anniversary of the town. Guest stars as the flamboyant Corky St. Clair who uses his off-Broadway connections to bring a Broadway critic to review the play to fulfill his dreams of making it to Broadway. Comedic prowesses Catherine O’Hara, Fred Willard, Eugene Levy, and Parker Posey make up the cast. The play is awfully good with horribly written songs including “Stools” about a stool and “Nothing Ever Happens on Mars” about an alien landing in Blaine. Guffman never arrives due to a New York snowstorm in July; however, Guest arrives on our screen with an amazing film. 

#41 Awakenings (1990)

The final film featured on this list. Awakenings is dynamite. After losing both of my grandparents, the film makes me miss them even more. Robin Williams’ dramatic work is great here playing a fictional character based on Oliver Sacks who discovers a drug that can “awake” people from trance states and dementia. Awakenings showcases the resilience of Williams as he helps his patients adapt to life in the present day. Robert de Niro delivers an underrated performance as a patient awakens for the first time in decades. The patients have found life again, dancing and laughing again. I wish I could hear my grandma laugh again. The ending is heartbreaking as the patients revert to their original trance states, offering a stark reminder of spending the remaining time celebrating with loved ones.

Apple TV+ is the gem of prime sci-fi television. The streaming service spawned on the television map after its Emmy award-winning British sports comedy, Ted Lasso; however, its sci-fi shows make the service truly special. Great shows, including Silo and For All Mankind, are personal favorites on the service, though people are truly missing out on one of the best TV shows of all time currently airing: "Severance." 

The show is currently in its second season, having premiered in 2022. Severance follows Mark S. (Adam Scott; "Parks and Recreation") as he works at a fictional biotechnology company called Lumon. Mark agrees to undergo a procedure known as "severance," which separates his work memories from his personal memories. While at work on the “severed floor,” employees, referred to as “innies,” have no recollection of their personal lives, and those at home, known as “outies,” have no memory of their workday.

Mark’s “innie” manages a mysterious department called Macrodata Refinement (MDR) that involves putting strange numbers into files for reasons unknown yet. His coworkers, Dylan G. (Zach Cherry; Fallout) and Irving B. (John Turturro; The Big Lebowski) are introduced to MDR’s newest employee, Helly R. (Britt Lower; Unforgettable), whose rebellious nature against Lumon is threatening the workplace dynamic. Meanwhile, Mark’s “outie” is grieving over the loss of his wife, who died one year before the pilot episode.

The show balances incredible worldbuilding by incorporating gripping mysteries and abnormal weirdness with flawless direction. Comedic actor Ben Stiller (Zoolander) steps behind the camera and the final result is outstanding. Stiller’s direction produces excellent television by highlighting the unique characteristics of the company. Bleak white hallways that resemble the allegory of the brain, weird goat departments, mysterious coworkers (Christopher Walken), a weird wellness director (Dichen Lachman) that gives “innies” facts about their “outies,” dance parties, waffle perks, and a cult-like company conspiracy make for gripping television. 

The acting in the show is phenomenal. While Scott delivers a great performance, it is Lower who truly embodies the heart of the series. Helly’s rebellious nature serves as a surrogate for the audience; she questions why anyone would undergo a “severance” procedure that traps their “innies” on a severed floor indefinitely. This raises important discussions about workers being treated inhumanely and reduced to mere manual labor. Other standout performances include Tramell Tillman as the creepy deputy floor manager, Mr. Milcheck, and Oscar-winning actress Patricia Arquette, who delivers a cold and menacing portrayal of Lumon floor manager Cobel.

Dan Erickson's award-winning writing masterfully draws the audience into a gripping narrative filled with intricate twists and turns. In the first season finale, viewers are treated to dramatic revelations that not only redefine characters and plotlines but also elevate the show’s legacy. This culmination of storytelling brilliance transforms the series into a standout in television history, leaving a lasting impact on its audience and solidifying its status as one of the great, leaving a great cliffhanger into season two.

Severance received 14 nominations at the 74th Primetime Emmy Awards including Outstanding Drama Series, acting nominations for Scott, Turturro, Walken, and Arquette, directing and writing, winning awards for Outstanding Main Title Design and Original Dramatic Score. 

The show is likely to garner even more Emmy awards, thanks to its exceptional second season. With its intricate character development and thought-provoking themes, it truly deserves to be hailed as one of the finest television series of all time, standing proudly alongside iconic masterpieces such as The Wire, The Sopranos, and Succession. Its ability to engage viewers emotionally while exploring complex societal issues sets it apart in the crowded landscape of contemporary television.

I have noticed that American politicians often exploit natural disasters and tragedies with fatalities for political gain. Instead of simply expressing condolences, they blame their political opponents, hoping it will boost their public approval ratings.  

This became evident after the recent midair collision in Washington, D.C., which tragically claimed the lives of 64 civilians on American Airlines Flight 5423, along with three individuals aboard a Black Hawk helicopter.  

In the wake of this tragedy, President Donald Trump began to politicize the event, blaming Fmr. presidents Barack Obama and Joe Biden, as well as Fmr. Secretary of Transportation Pete Buttigieg. He also criticized Diversity, Equity, and Inclusion (DEI) policies for contributing to the accident in a White House press conference.  

It has been reported that only one air traffic controller managed both aircraft, and the approach conditions near Reagan Airport are dangerous. President Trump is familiar with initiating the politicization of crises. 

For instance, he blamed California Governor Gavin Newsom and Los Angeles Mayor Karen Bass for their roles in responding to the Southern California wildfires. He also criticized the response of Biden and Fmr. Vice President Kamala Harris in the aftermath of Hurricane Helene's rainfall in North Carolina, which caused billions of dollars in damages. 

President Trump is not the only one involved in politicization. Florida Governor Ron DeSantis declined to answer a phone call from Vice President Harris, which would have facilitated sending supplies and federal aid to the affected area.  

This issue extends beyond natural disasters. The tragic murder of Laken Riley, a nursing student from Georgia, by an undocumented immigrant sparked outrage across the political spectrum. This led Congress to pass the Laken Riley Act, which stipulates that illegal immigrants can be detained if they are arrested for criminal offenses or theft; however, Riley's family has urged countless times that her murder not be used for political exploitation.

Democrats are no stranger to this issue. The party has politicized mass shootings including Uvalde, El Paso, and the Atlanta school shooting in September to criticize Republicans on passing legislative gun reforms, blaming political opponents on this issue. 

Politicizing tragedies must come to an end. It is not only disrespectful to the families affected and the victims, but it is also deeply unprofessional. As public servants, politicians should focus on helping the public and raising awareness, empowering communities to rebuild together rather than blaming their opponents. This behavior exacerbates the political polarization already present in America, and it is likely to worsen if it continues.

Politicians should express their condolences and demonstrate compassion and kindness in times of tragedy. Citizens expect their local or federal leaders to support them during such difficult moments. Politicians need to visit the affected areas and provide assistance to families in need. These visits should not be used for photo opportunities or to gain political approval, as such actions can be off-putting to the public. Politicians need to act as concerned citizens who genuinely care for their constituents. We are a community after all. Americans looking out for the interests of others.

Books are an intrinsic part of society. Works of art and literature from fiction to nonfiction expand our knowledge and carry us on journeys of self-discovery through the lens of groundbreaking characters and fascinating real-life individuals. They tackle important issues that must be addressed to raise awareness about real-world problems that can potentially change the world.  

In recent years, there has been a concerning trend of numerous books being banned or censured across various educational and public institutions.  This phenomenon is largely driven by actions from school boards, educational organizations, political groups, and certain communities that perceive specific content within these works as objectionable.  

Popular books that are becoming banned include: “The Catcher in the Rye,” “Beloved,” “To Kill a Mockingbird,” “Hunger Games,” “Animal Farm,” “Ulysses,” “Harry Potter,” “The Handmaid's Tale,” among others.  

Many of these books contain themes involving violence, sexual content, drug use, and instances of abuse, which can elicit strong reactions based on differing values, beliefs, and cultural sensitivities. As a result, these entities are increasingly scrutinizing literature, often leading to restrictions that limit access to a diverse range of perspectives and narratives that may challenge or provoke thought in students and readers alike, with many state governors taking action to ban books. 

Former Indiana Governor Eric Holcomb signed a school book-banning bill in 2023 that schools will no longer be allowed to claim legal protection by using educational purposes to provide banned books to minors. However, this isn’t happening just in Indiana, it is happening across the country. 1A recent study by PEN America, a free-speech advocacy group, reveals alarming statistics about the number of books banned each year. 

“During the first half of the 2022-2023 school year, PEN America recorded 1,477 instances of individual books being banned. This represents a 28 percent increase compared to the previous six months, from January to June 2022. These figures indicate more instances of book banning than were recorded in either the first or second half of the 2021-2022 school year. Over this six-month period, more than 800 unique titles were affected, which averages out to over 100 titles removed from student access each month,” PEN America said. 

The number of complaints and objections is likely to keep increasing as conservative groups scrutinize these literary works and voice their strong disapproval of their content. In response, many of these books may be relegated to restricted areas or removed from general circulation altogether.

Consequently, the shelves that once featured a diverse range of literature may become filled primarily with family-friendly children's books that promote particular traditional values. This shift not only reflects changing societal norms but also highlights the tensions surrounding what is deemed appropriate or acceptable in children's literature today.

Banning books limits our rights under the First Amendment of the Constitution: the freedom of speech. Authors are being censored for addressing important issues and exploitative themes that deserve to be discussed. Banning books is not the solution to confronting challenging ideas. Readers need guidance, not censorship. They should have the opportunity to broaden their perspectives and learn about problems they have the power to change in the world. They don’t have to agree with the work’s content. They can reject it and share their voices of disapproval. It is guaranteed in the First Amendment. 

We cannot allow the continuation of this troubling trend where books are systematically banned and removed from circulation. We must promote the inclusion of banned books in our libraries and reading communities. Authors dedicate their time, creativity, and passion to craft stories that reflect diverse perspectives and experiences; their work should be celebrated, not suppressed. Every story has the potential to spark important conversations, challenge societal norms, and enrich our understanding of the world. We must advocate for the freedom to read and ensure that these valuable narratives are accessible for all to engage with and learn from.

We made it! With 2024 in the history books, I believe television has never been better. Given the heated sociopolitical landscape, television is a fantastic escape from our world, with innovative world-building, excellent performances, distinctive storytelling, and pure magic. I have compiled a list of 10 of the greatest shows from the past year, with five honorable mentions beforehand.

It’s important to note that some highly buzzed-about shows, like The Penguin, Baby Reindeer, Slow Horses, and The Boys, are not on this list, as I haven’t had the chance to watch them yet. I’m sure they would rank highly. Additionally, I have excluded two excellent Apple TV+ sci-fi dramas, For All Mankind and Silo, because For All Mankind had only two episodes in 2024, and its season finale, “Perestroika,” is one of the best television episodes of the past year. Meanwhile, Silo will continue its run in 2025. 

Without further ado, here are my five honorable mentions. 

Girls5Eva (Netflix)

I wish this series could last 4eva! Sadly canceled by Netflix, the final tour of this musical comedy is fantastic. Created by 30 Rock producers, the show follows a 90s girl band trying for a comeback. On the road, they perform cheesy songs for hockey moms, but the leads, including Sara Bareilles and standout Renee Elise Goldsberry as Wickie, are incredibly talented. The show is one of the best, and the final concert tour is on a high note.

Nobody Wants This (Netflix)

This fantastic romantic comedy follows the unlikely relationship between an agnostic podcaster, (Kristen Bell), and a Jewish rabbi, (Adam Brody). Their chemistry is a delight, and the series explores the challenges of converting to Judaism. While there are some Jewish stereotypes, it balances this with great supporting roles, humor, and romantic magic.

Only Murders in the Building (Hulu

)This murder whodunnit comedy thrives in its fourth season, elevating the beloved series with fresh styles and gripping mysteries. From stage to Broadway to Hollywood, the show features celebrity cameos and new additions like Eugene Levy, Zach Galifianakis, and Eva Longoria, ensuring plenty of laughs. At its core, the series maintains the heartfelt dynamic among its three leads: Steve Martin, Martin Short, and Selena Gomez, who bond over their shared interest in true crime.

The Bear (FX)

The award-winning dramedy series about chefs had a slightly undercooked third season, focusing more on food and Carmy’s facial expressions than the storyline. However, the show was still delicious, particularly the sixth episode, “Napkins,” which highlights Tina's (Liza Cólon-Zayas) heartbreaking job search amid age discrimination and features a standout performance by Zayas.

Under the Bridge (Hulu)

Based on the tragic 1997 murder of Reena Virk, this true crime anthology adapts Rebecca Godfrey's book and "Reena: A Father’s Story" by Manjjit Virk. With an investigative approach, it features excellent performances by Riley Keough as Rebecca Godfrey and Lily Gladstone. However, the show's heart lies as the series delves into the secret world of teenage girls, highlighting strong performances from the young cast. Archie Panjabi shines as Reena's mother, especially in a decisive confrontation with one of her daughter's killers.

Here are my top 10 shows from the past year:

#10 Mr. & Mrs. Smith (Prime Video

)I haven’t seen the 2005 film with Brad Pitt and Angelina Jolie, nor do I feel the need to after watching this thrilling series. Co-created by Donald Glover, known for Community and his Grammy Award-winning music, the show follows John (Glover) and Jane (Maya Erskine), who become secret agents under the guise of a married couple, ‘The Smiths.’ Their contrasting personalities create a playful tension that enhances their espionage missions and leads to an unexpected romance. Glover and Erskine share incredible chemistry, making their adventures even more captivating. The series is filled with dynamic action, clever storylines, and standout guest appearances from Sarah Paulson and Parker Posey, culminating in an exciting finale that keeps viewers eagerly anticipating what comes next in season two. 

#9 Women in Blue (Las Azules) Apple TV+ 

The show that many missed this year: a gripping Mexican period drama infused with mystery, reminiscent of Law and Order: SVU and Mad Men. Set in the early 1970s, the show is inspired by Mexico City’s first female police force, focusing on four women who challenge traditional gender roles while investigating a serial stalker targeting women at night as they balance their personal lives with the tension mounting with every passing moment. The talented cast delivers electrifying performances, showcasing resilience and determination. A heartbreaking twist forces them to confront their beliefs. The finale will keep viewers on the edge of their seats with a beautiful message of powerful commentary on gender and societal expectations and an unforgettable viewing experience.

#8 Shrinking (Apple TV+)

Produced by the creators of Ted Lasso, the second season of Shrinking surpasses the first in emotional depth and comedic brilliance. It follows psychiatrist Jimmy, played by Jason Segel, as he navigates the grief of losing his wife in a car accident caused by a drunk driver. A standout performance this season comes from Brett Goldstein, known for his role as Roy Kent in Ted Lasso, portraying the drunk driver with a compelling performance, depicting a man seeking redemption and forgiveness, highlighting the emotional struggles of both the victim's family and the perpetrator. Thanks to a stellar supporting cast, the show balances its heavier themes with humor. Thanks to a stellar supporting cast, Christa Miller adds her trademark wit as next-door neighbor Liz, while Harrison Ford shines as Paul, Jimmy's deadpan boss. Ford balances humor with sage advice, helping to maintain the light-heartedness amid profound moments. The second season is a must-watch for fans of intelligent comedy.

#7 Abbott Elementary (ABC)

Quinta Brunson’s mockumentary-style comedy series stands out as a hallmark of the current golden age of television and is considered one of the best shows ever created. Set in an underfunded elementary school in Philadelphia, the third season premiered in February and boldly transitioned Brunson's character, Janine Teagues, into the school district, adding new depth to the story. That season also resolved the long-running will-they/won’t-they romance between Janine and fellow teacher Gregory, played by Tyler James Williams, culminating in their becoming a couple. In its fourth season, the show in the fourth grade continues to excel. Standout performances include Janelle James as Ava, the hilariously incompetent principal. Despite her shortcomings in leadership, Ava's sharp comebacks and comedic timing enhance the show’s humor. And a final gift with a hilarious Christmas special, a Christmas show, and a dead uncle make for funny laughs finishing the first semester. 

#6 Fallout (Prime Video)

After reviewing the video game adaptation of Fallout back in April, I concluded that it surpasses HBO’s The Last of Us in several aspects. Set in a post-apocalyptic world two hundred years after a cataclysmic nuclear holocaust, the story follows vault-dweller Lucy (Ella Purnell). Lucy embarks on a daring quest to the surface in search of her missing father, navigating through a desolate landscape filled with bizarre and mutated creatures. One of the standout features of the show is Walton Goggins's captivating portrayal of The Ghoul, a character that adds depth and intrigue to the narrative. The series is visually stunning, with meticulously crafted sets that bring the haunting beauty of the wasteland to life. The music enhances the atmosphere, perfectly complementing the journey's thrilling adventures and emotional moments. Combining these elements creates an engaging and immersive experience that keeps viewers on the edge of their seats, making it a compelling watch.

#5 Agatha All Along (Disney+)

2021’s WandaVision was a groundbreaking series in the Marvel Cinematic Universe (MCU), combining a love for television sitcoms with bold storytelling, outstanding performances, and a high level of creativity. Given the recent lackluster Marvel entries, I was skeptical when I first approached its spin-off, Agatha All Along. However, the series pleasantly surprised me, proving to be an exhilarating follow-up.  Agatha All Along focuses on the villainous Agatha Harkness, played brilliantly by Kathryn Hahn. After being freed from her magical imprisonment at the end of WandaVision, she finds herself powerless and sets out to reclaim her abilities by gathering a coven of witches. Their journey down the mythical Witches Road is marked by the catchy musical number “Down The Witches Road,” which captures the essence of their adventure. The series features a standout performance by Broadway veteran Patti LuPone, adding depth to the narrative. Hahn’s portrayal of Agatha is mesmerizing; she embraces her character as pure evil while hinting at the complexity of a bit of good that resists a typical redemption arc. In doing so, Agatha All Along explores themes of ambition and power while enhancing the rich tapestry of the MCU.

#4 A Man on the Inside (Netflix)

I appreciate Michael Schur, the talented writer behind beloved shows like The Office and co-creator of hits such as Parks and Recreation and Brooklyn Nine-Nine. He also crafted the underrated masterpiece The Good Place, starring Kristen Bell and Ted Danson. With his impressive track record, I had high hopes for his latest project, and I'm pleased to say he exceeded my expectations. In this new series, Ted Danson takes on the role of Charles, a lonely retired professor navigating life after losing his wife. His journey begins when he stumbles upon a classified ad seeking a private investigator to infiltrate a retirement home. Eager to fill the void in his life, he embarks on this unconventional mission. However, as he interacts with the residents, he finds himself drawn away from his original purpose, forging genuine friendships that help him heal. The retirement home serves as a backdrop filled with nostalgia, featuring a cast of veteran actors from the 70s and 80s television. This ensemble pays tribute to their storied careers and adds to the narrative. The show beautifully conveys that aging is not something to fear, highlighting the value of connection and companionship in our later years.

#3 Somebody Somewhere (HBO)

I’m truly grateful that my parents introduced me to the often-overlooked gem of a show, Somebody Somewhere. After thoroughly enjoying the rich storytelling and character development in the first two seasons, I eagerly anticipated the third and final season with a mix of excitement and nostalgia.  Set against the backdrop of the quaint small town of Manhattan, Kansas, the series weaves a poignant narrative centered around the mid-40-year-old character Sam, (Bridget Everett). Sam is navigating the heavy emotions of grief following the loss of her sister to cancer, a journey that profoundly shapes her experiences and interactions with her best friend, Joel (Jeff Hiller). It serves as a source of comfort but also presents Sam with various challenges that push her to evolve. Another standout aspect of the show is the character of Sam’s sister, Tricia, (Mary Catherine Garrison). Tricia infuses the story with humor and warmth, reminding us of the importance of family bonds even in the face of hardship. Her character adds depth to the exploration of grief, illustrating how laughter can coexist with sorrow. The series finale offers a poignant exploration of grief, resilience, and the need for human connection. Somebody Somewhere becomes more than just entertainment; it's an emotional journey that stays with you long after watching.

#2 Squid Game (Netflix) 

When this show premiered three years ago, it quickly became a cultural phenomenon. The intense “Red Light, Green Light” game, featuring the giant doll and soldiers, became iconic, inspiring many Halloween costumes. The series thrived on its exploration of capitalism, blending thrilling action with emotional storytelling. Exceptional performances by Hoyeon Jung and Lee Jung-Jae as Seong Gi-hun deepened the audience's connection to the characters, creating a lasting impact that resonated throughout the entertainment landscape. While the second season may not replicate the same unexpected twists and turns that characterized the first installment, it effectively builds upon the established narrative. It deepens Gi-hun’s arc, making it a strong story continuation set three years after the last season, Gi-hun again enters the deadly games to end them. Don't worry—new games and exciting characters will ensure that repetitive storylines do not occur. Among the great characters, this season are a transgender soldier becoming a fan favorite, a mother-and-son duo, a rapper named “Thanos,” a pregnant woman and her crypto boyfriend, and the unexpected arrival of a player in the third episode, which contributes to an exhilarating ride. This season, one of my favorite games is where players must rotate on a moving carousel and enter rooms before time runs out. Although the final episode leaves viewers on a frustrating cliffhanger, the following season cannot arrive soon enough.

#1 Shogun (FX)

Shōgun deserves the top spot on my list: it’s a show that delivers groundbreaking performances, some of the best dialogue on television, epic action sequences, and a fantastical yet richly detailed historical world that feels like a character in its own right. This series is a remake of the 1980 miniseries of the same name, based on the bestselling book by James Clavell, and it has been gifted two more seasons. Set in feudal Japan in the late 1500s, the story follows Blackthorne (Cosmo Jarvis), who is shipwrecked in an unknown land and finds himself caught in the struggle between rival daimyos, including Lord Toranaga (Hiroyuki Sanada). The enigmatic translator Mariko (Anna Sawai) must pledge her allegiance to Toranaga. While Jarvis and Sanada deliver incredible performances, the show’s heart lies with Sawai, who gives the best performance of the year as Mariko. She adds a layer of grief and sadness to her character, particularly in her outstanding monologue during the series' best episode, "Crimson Sky." Tadanobu Asano (Golden Globe Winner) also shines as Yabushige, providing comedic relief in this dramatic tale. The show is a masterpiece that redefines television, merging captivating storytelling with rich character development and breathtaking visuals. Masterpieces like this deserve to be recognized and celebrated for their artistic achievements.

After voting in this year's election, I noticed that many people are becoming apolitical, showing little interest in and involvement with politics. After casting their votes, they tend to withdraw from political discussions and only re-engage during the next presidential election four years later. Even my parents roll their eyes and let out uninterested sighs whenever I mention the word "politics." 

I understand. People are weary of politics, as it dominates our daily lives in the heated sociopolitical media landscape. Friendships become strained over political disagreements, and many want to live their lives free from unnecessary drama of politics, simply waiting for the next election to become active again. 

Simply waiting isn't the answer. People who tend to learn about presidential candidates only during election season often know very little about the current presidential administration and the heated debates taking place on Capitol Hill. This lack of engagement leads to a poor understanding of each candidate's personal beliefs and ideologies, as well as a disregard for the broader context of Congress.

Staying informed is an essential duty for U.S. citizens. This doesn’t mean we should immerse ourselves in politics every waking moment, but being aware of both federal and local government activities will make it much easier for us to cast informed votes in the midterms and upcoming elections.

I have outlined three suggestions for how we can remain active in national and local politics:

**1) Engage in friendly political discussions. **

I know this can be challenging. Living together or working with people who might share different beliefs is tough. We have disagreements. It is a part that makes us unique; however, we can't store our ideas inside us forever, because we might learn something from a discussion.

Always start a conversation with someone by sharing something that is happening in government today: whether a new cabinet pick, new governmental laws, executive orders, or a personal overall impression of political leaders. 

If someone disagrees with your opinion, listen to them. Don't brush them off. Their opinions might share a different perspective on a particular issue. It doesn't mean we have to change our opinions based on their perspectives, but we might not have learned something useful in our governmental landscape if we hadn't engaged in a discussion.

2) Stay active with the news

I understand that the media landscape is highly polarized today. When we turn on our TVs, we often see news pundits arguing with each other, shouting and interrupting as they try to express their opinions. This can be exhausting and contributes to widespread bias, leading many people to distrust the media. However, there is still some news that is informative, unbiased, and helps keep us informed about current events.

Some of my favorite unbiased news sources include Associated Press News (AP) and National Public Radio (NPR) which offer reliable news events that stay up to date on relevant information without all of the unnecessary bias included.

Ballotpedia is another valuable website that provides information about the ideologies, parties, beliefs, and contact details of national and local congress members, which is essential for staying informed about politicians.

3) Engage in local community events

It's important to remember that politics isn't just focused on the federal level; it also impacts daily life. Understanding the issues and events in our local communities is crucial for fulfilling our civic duties.

Attending town hall meetings or school board meetings provides valuable perspectives on local concerns that help keep us informed. Additionally, participating in community outreach events or volunteering at organizations like the Salvation Army not only contributes positively but also makes our communities better places to live. Whether it might be, we are a community of voices and the loudest voices make the strongest difference.

As we find ourselves again during awards season, film critics are diligently putting together their lists of favorite movies from the past year. Despite a lackluster year in 2023, with the notable exception of summer blockbusters “Barbenheimer,” 2024 saw a welcomed resurgence of high-quality films. These films have reinvigorated the landscape of filmmaking and expanded the boundaries of the art form.

I've taken the time to meticulously curate a list of my personal top 10 standout films from the year. These exceptional works of art boast immersive storytelling, exceptional acting, intricate world-building, and impeccable directing. They have transcended genres and mediums, providing insightful social commentary on the intricate web of our cultural and sociopolitical world. Without further ado, let's dive into the list.

#1 (Civil War) (A24) dir. Alex Garland

There’s a reason Garland’s “Civil War” ranks at the top of this list. This film emphasizes the significance of journalism during challenging times. It tells the powerful story of four photojournalists who travel to Washington D.C. during a civil war of secession that is taking place across the United States. Their mission is to interview a president running a dictatorship. The film features standout performances from Kirsten Dunst (Marie Antoinette), Wagner Moura (Narcos), and Cailee Spaeny (Priscilla). Garland highlights themes of systemic racism and violence against a backdrop of inhumane actions, using striking black-and-white photography instead of regular motion pictures that enhance the film's impact and intensity. Though heartbreaking, it establishes the importance that journalists are heroes on the frontlines. 

**#2 (Thelma) (Magnolia Pictures) dir. Josh Margolin **

Age is just a number. 94-year-old June Squibb, known for breaking supporting roles in “Nebraska,” shines in her first leading role as Thelma. This action-comedy features Thelma as a victim of an elderly phone scam that depletes most of her life savings. Rather than retreating, Thelma embarks on a journey with the help of an old friend, (Richard Roundtree), and a motorized scooter to reclaim what was taken from her. A well-crafted script elevates this charming and heartwarming family film, making “Thelma” a standout representation of an elderly woman, and beautifully illustrating the power of appreciating life’s adventures at any age.

**#3 Late Night With the Devil (IFC Films) dir. Colin and Cameron Cairnes **

An homage to classic horror films and late-night television talk shows, “Late Night With The Devil” combines chilling jump scares with dark comedy, creating an allegory about the costs of fame. David Dastmalchian (“The Dark Knight”) delivers a powerful performance as Jack Delroy, a mid-70s talk show host of the fictional program “Night Owls.” The film employs elements of found footage and documentary filmmaking to tell the story of Delroy as he tries to boost his show's ratings by inviting a girl who is allegedly possessed to perform an exorcism during a Halloween special. Throughout the film, we explore complex themes of human greed, corruption, and satanic panic, establishing it as one of the finest horror films of the past decade.

**#4 Saturday Night (Columbia Pictures) dir. Jason Reitman **

A chaotic mess—that's how Reitman vividly depicts the tumultuous night leading up to the 1975 premiere of NBC's sketch-comedy show, “Saturday Night,” which later became the iconic Saturday Night Live (SNL). The film portrays intense moments filled with on-set challenges, absent cast members, and the pervasive influence of drugs and alcohol. It also highlights sudden changes to sketches and the looming threat from NBC executives to cancel the show before it even aired. With a brilliant script and an exceptional cast, Gabriel LaBelle's (The Fabelmans) transforming performance allows Reitman to convey a powerful message: a perfect mess can transform into something remarkable. 

**#5 Fancy Dance (Apple Original Films) dir. Erica Tremblay **

A film that is an essential and required viewing, that both tears and upliftment, Tremblay''s directorial debut “Fancy Dance” blends traditional Indigenous cultures with an important and powerful message. Fresh off from her Oscar nomination for Killers of the Flower Moon, Lily Gladstone delivers a powerful performance as an Indigenous woman searching for her missing sister as she promises her niece (Isabel DeRoy-Olson) that she will find her mother in time for a Native traditional 'fancy dance.’ While the conclusion is heartbreaking, the film addresses the urgent issue of law enforcement's neglect to locate missing Indigenous women, making this film an essential viewing.

#6 Didi (Focus Features) dir. Sean Wang

“Didi” is a coming-of-age film that goes beyond the usual tropes, thoughtfully exploring the complexities of adolescence. Set in the late 2000s, Izzac Wang delivers an outstanding debut performance as Chris, a 13-year-old Taiwanese-American eighth-grader who enjoys skateboarding and making YouTube videos with his friends. As Chris navigates the challenges of being a person of color and the pressures of becoming a teenager, he also faces the struggle of his mother (played by Joan Chen) to keep the family together. Wang's direction, coupled with an impeccable script, captures both the humor and the challenges that define the audacity of our teenage years.

#7 Girls State (Apple TV+) dir. Jesse Moss and Amanda McBaine

“Girls State” is a companion documentary to the 2020 Apple TV+ film “Boys State.”  While “Boys State” focused on thousands of young men in Texas as they created a representative government from scratch, “Girls State” follows a similar Girls State program in Missouri, which runs concurrently with a Boys State program in the same location. Directors Moss and McBaine tackle the challenges women encounter in government, highlighting feelings of inferiority compared to their male counterparts, the systemic issues within governmental structures, and the political landscape women face today while centering on 15-year-old aspiring journalist Emily Worthmore, who writes about the significant differences between the two programs, contributing to a powerful overall message.

#8 Daughters (Netflix) dir. Natalie Rae and Angela Patton

“Daughters” is another phenomenal documentary that follows four young girls as they prepare for a special Daddy-Daughter Dance with their incarcerated fathers as part of a program in Washington D.C. The film highlights the challenges these girls face in the absence of a father figure and the strain it places on their relationships. It delves into the backgrounds of the fathers, including one who is facing up to 30 years in prison for a serious offense. The dance itself is an emotional experience, with some girls reuniting with their dads or even meeting them for the first time. While “Daughters” concludes on a heartbreaking note, it beautifully captures life's fleeting moments.

#9: A Quiet Place: Day One (Paramount Pictures) dir. Michael Sarnoski

“A Quiet Place: Day One” is a standalone prequel to the A Quiet Place franchise that depicts the invasion of blind extraterrestrial creatures with acute hearing in New York City. The story centers on a hospice patient named Sam, played by Lupita Nyong'o, who struggles to survive the onslaught alongside a stockbroker portrayed by Joseph Quinn. While it is less terrifying than the previous installments, Sarnoski's direction and cinematography effectively capture the bleakness and silence of the situation. Nyong'o delivers an Oscar-worthy performance that emphasizes the theme of cherishing the last moments of a life worth living.

#10: Inside Out 2 (Pixar Animation Studios) dir. Kelsey Mann

I never expected “Inside Out 2” to make this list or to appeal to me, especially given the lackluster trailers. However, I was pleasantly surprised. The film takes the fresh and original concepts from the first installment to new heights as we reunite with our beloved emotions alongside Riley, who navigates the complexities of becoming a teenager. While Sadness (voiced by Phyllis Smith) was the hero of the previous film, Amy Poehler’s Joy, along with an excellent performance by Maya Hawke as Anxiety, emphasizes the importance of finding joy during challenging times.

Voting is one of our most important civic duties. When we vote, we not only choose our president, senators, representatives, governors, state representatives, mayors, and council members, but we also are a community of voices. We express our hopes and dreams for the future of our great nation.

On Oct. 2, I celebrated my 18th birthday. It was a milestone that marked my eligibility to vote. Having successfully registered on indianavoters.in.gov, I am thrilled to embrace this new responsibility.

As a young child, I accompanied my mom to the polls on Election Day and was captivated by the "I Voted" stickers. Although my fascination may have been due to my love for stickers, I now recognize the deeper significance. Each person present at the polls was driven by a collective desire to contribute to our nation's future by making their voices heard. Now, I have the great opportunity to do the same.

As I grew older, I noticed that fewer people were going with my mom to the polls each year. When I was really young, there were around 50 people in line, but in the following years, the number decreased to about 40. This trend worried me. I found myself wondering, "Do people truly care about the future of our country?" Ten fewer votes equate to 10 fewer voices being heard.

According to www.npr.org, a study found a lack of voter engagement in the 2020 election. 1"About 67% of eligible voters cast ballots this year, but that still means a third did not. That amounts to about 80 million people who stayed home," according to the website.

This data is alarming. Eighty million people not voting is equivalent to the entire populations of Texas, California, and Illinois combined not casting their votes. It shouldn’t have to be this way. People can’t stay home and expect the U.S. to move on without them. Every vote counts.

We only have 26 days left till Election Day. Even though the deadline for voting registration here in Indiana was Monday, Oct. 7, our commitment is far from over.  1We have to stay active. We can’t stop now. Bring more people out to the polls. Knock on people’s doors. Research the candidates. Check voting registration. Do everything we can to ensure that we vote Nov. 5. 

We are a community of voices and a nation united that ultimately serves our duties as American citizens. As we walk into the polling stations on Election Day, remember that our votes matter. This is the American Dream. To be able to vote and know we can make a difference. After voting, we will smile as we place our "I Voted" sticker, feeling a sense of pride and patriotism.