William Tallackson

My greatest films: #30-21

I loathe TV medical dramas. Their storytelling often falls into a predictable pattern, leading to a formulaic approach, lacking genuine creativity. The medical scenarios presented frequently stretch reality, depicting impossible procedures and improbable patient outcomes that could never occur in actual practice. The dialogue tends to be overly sentimental and clichéd, resulting in moments that feel forced and cheesy rather than authentic. Hospital romance and usual soap opera characters drain my little excitement for these dramas. 

I needed a new show to watch. After the impressive and phenomenal finale of season two of Apple TV+'s _Severance_ and the bold Hulu drama _Paradise,_ I was running out of options for a Sunday afternoon binge. I grabbed the popcorn and discovered Max’s new hit__ medical drama, _The Pitt._ Everyone has been telling me: _Watch this show, it’s great_! My first reaction was, “eh.” It looked like the typical medical drama. Nothing looked good in my queue, so I decided to give _The Pitt_ a shot. I might only last an episode, but it gives me something to watch in the meantime. 

I was wrong. I didn't just watch a single episode; I've seen every episode released so far. With only one episode left, I can confidently say _that_ _The_ _Pitt_ is one of the best television shows airing right now and perhaps ever. Medical shows can be repetitive, but I could easily watch 100 episodes of this show without it getting old. 

The show is set in the emergency room (ER) of Pittsburgh Trauma Medical Center, depicting the frontline heroes and patients. Medical drama royalty Noah Wyle (_ER)_ is back in scrubs as Dr. Michael Robitavich (Dr. Robby), and no, this is neither an _ER_ ripoff nor a spinoff or reboot. Most medical episodes occur over several days or weeks; however, _The_ _Pitt_ is set within a single day, following a 15-hour shift. It is essentially a medical drama, similar to the hour-by-hour format unfolding in real time, hit action show _24._ 

This storytelling device is particularly effective as it introduces a much-needed sense of realism to the medical genre. Audiences can connect with characters and patients throughout the day. Watching the doctors make progress and grow characteristically throughout the day and witnessing patients facing life-threatening situations and the family members affected by it is gut-wrenching, rewarding, and worthwhile. 

_The_ _Pitt_ skillfully depicts its doctors and nurses as vibrant, multi-dimensional characters with realistic personalities. Among them are compassionate charge nurse Dana (Katherine LaNassa), insecure student doctor Whitaker (Gerran Howell), newly pregnant Dr. Collins (Tracy Ifeachor), overly confident and cynical intern Santos (Isa Briones), strong-willed and short-tempered senior resident Langdon (Patrick Ball), socially awkward yet kind resident Mel (Taylor Dearden), former addict and working mother resident McKay (Fiona Dourif), empathetic and patient-friendly resident Mohan (Supriya Gannessh), and young third-year medical student Javaldi (Shabeena Abeez) who is trying to follow in her mother’s footsteps.

The patients depicted in this narrative are not only realistic but also deeply relatable. Among them include parents reeling from the death of their college son who overdosed, a woman who was pushed in front of a train in a hate crime but was saved by a good samaritan, and a sickle cell patient who forms a connection with Mohan, a mother concerned about her depressed teenage son, siblings faced with the decision of whether to keep their resuscitated and incubated father alive, and elderly African American man who served on the frontlines in the early day of the 9-1-1 emergency response team. 

There’s no heavy makeup, no dramatic monologues, and absolutely no sappy romances. The frontline workers and patients are depicted as real people, with certain episodes focusing on their individual stories. All the actors invest their hearts and souls into their characters, making them feel more like real individuals rather than two-dimensional figures. They are portrayed with genuine emotional depth in their work. 

All of the episodes are fast-paced, stressful, and graphic. _The_ _Pitt_ doesn’t shy away from reality, showcasing firsthand emergency room operations and last-minute decision-making. There is a significant amount of blood, and some of the procedures can be gruesome. However, depicting this realism is what makes the show great. 

The last three episodes that have aired present a gripping portrayal of a devastating mass-casualty shooting at a local music festival. These episodes are intense but also masterfully crafted, showcasing intricate character development and emotional depth. Noah Wyle delivers a career-best performance, capturing the raw anguish and complexity of Dr. Robby as he navigates the aftermath of the tragedy. His breakdown is poignant and haunting, displaying a level of vulnerability that resonates deeply with the audience. The writing and direction in these episodes elevate the narrative, making them some of the most powerful and unforgettable installments of the series. Sorry, Adam Scott. Noah Wyle, the Emmy is yours. 

_The_ _Pitt_ will face competition from _Severance_ at the Emmys. While _Severance_ was outstanding, I wouldn't be upset at all if _The_ _Pitt_ wins major awards. The show has been renewed for a second season, and with one episode left, I can't wait to see what happens next!

_The Pitt_ is available to stream on Max for $16.99 per month.

New show to watch: The Pitt

In my last edition, I listed my favorite films (ranging from 50 to 41). Notable editions included Spielberg gems, Jurassic Park and E.T. The Extra-Terrestrial, Stephen King’s Stand by Me, Penny Marshall’s A League of Their Own and Awakenings, and recent films Past Lives and The Creator. As we travel out of the 40s and zoom into the 30s, more intricate and exquisite films range from horror to classic, rom-coms to indies; checking all the boxes. Get the popcorn ready. 

\#40 North by Northwest (1959)

Hitchcock stands as a master at building suspense, consistently leaving viewers on the edge of their seats. North by Northwest is a prime example of that power. Hitchcock legend James Stewart (Rope, Rear Window, Vertigo) finds himself embroiled in a gripping case of mistaken identity that propels him on a cross-country chase. From the intense scene with a crop duster attacking him in central Indiana (which, unfortunately, was filmed in California) to the high-energy scene in a train station in Chicago (my great-great aunt was an extra in that scene). The on-screen chemistry with Eva Marie Saint is nothing short of perfect. The enticing final climax unfolds at Mt. Rushmore, accumulated by the iconic cafeteria (a major disappointment for me when I visited as it’s different). The stunning cinematography in the final moments captures Stewart climbing the nose of George Washington, solidifying the film as a quintessential Hitchcock experience that never loses steam.

\#39 Jaws (1975) 

Jaws is the masterpiece that cemented Spielberg as a cinematic legend and composer John Williams as a world-renowned maestro. Blending their respective talents has created phenomenal blockbuster flicks; Jaws is no exception. Spielberg adeptly portrays the shark (Bruce) as "pure evil," a vindictive predator stalking its next victim. The moment when Bruce devours the young boy (Alex) on the raft is spectacular filmmaking; the underwater camera angle shows Bruce swimming towards the raft until the water is stained with blood, complemented by William’s score, creating an unforgettable moment with the camera directed at Sheriff Brody’s face. We don’t see the boy devoured; instead, from the perspective of Brody and the water, a smart decision that gave longtime horror viewers the scare of a lifetime. The building of Amity Island is terrific as it presents a seemingly pleasant backdrop of normalcy, behind the catastrophe that occurs. The final hour is a thrilling final hour of filmmaking featuring, “You’re going to need a bigger boat,” the shot of Bruce’s mouth devouring Quint and the final explosion of shooting Bruce in the mouth; it is when critics realized that another cinematic legend was born. 

\#38 The Holdovers (2023)

The Holdovers is a recent film by Alexander Payne that surpasses the 2023 summer phenomenon of "Barbenheimer." Don’t get me wrong; I love "Barbenheimer." However, this underrated gem offers a compelling coming-of-age story that exceeds both films. Set in a New England boarding school during Christmas in 1971, Paul Giamatti delivers a memorable performance as a grumpy teacher who is disliked by both faculty and students. He is responsible for supervising the students whose parents do not pick them up, leaving them behind at the school; these students are known as "The Holdovers." Eventually, all the other students are picked up by their parents, leaving only one student, newcomer Dominic Sessa, to spend the holidays with him and the school cook, played by DaVine Joy Randolph. The three of them form a bond over the hardships they face in their individual lives. Randolph deserves every bit of the Oscar she won for her heartbreaking performance as a grieving mother. The film provides heartfelt laughs, such as when Sessa’s character breaks his arm after attempting to run away from Giamatti. The ending is bittersweet, as the three characters become different and better people. Ultimately, Payne emphasizes that true family is made from the friends we create along the way.

\#37 The Joy Luck Club (1993)

The Joy Luck Club, adapted from Amy Tan’s novel of the same name, emphasizes the power of profound strength and resilience of female friendship. Set against the rich backdrop of Chinese culture, it weaves the intricate stories of four Chinese women and their daughters, each confronting their own unique challenges and generational conflicts. Through their shared experiences of meeting weekly to eat food and play Mahjong together, it explores the themes of love, sacrifice, and deep bonds that unite them. The film’s main plotline revolves around a going-away party for June (played by Ming-Na Wen), who is preparing to visit her twin half-sisters—whom her recently deceased mother abandoned after fleeing China during the Japanese invasion in World War II. The loss of their friend challenges the group, causing them to begin drifting apart. However, they eventually reconnect through their shared experiences and backstories. The emotional reunion with her sisters is heartwarming and tear-jerking, and The Joy Luck Club is a film that defies expectations.

\#36 Erin Brockovich (2000)

Julia Roberts deserved the Oscar for Erin Brockovich. No other actress could deliver a powerful performance as Erin Brockovich, combining both a strong-willed and determined character with a touch of profanity and sass. The film depicts the true story of Brockovich's journey as an unemployed mother to a law firm clerk, uncovering a file that exposes a local water plant contaminated with dangerous chemicals that have been poisoning a nearby town for years and covering the abuse up. The stories of the people she interviews are heartbreaking, powerless, and unable to speak up the truth, while their health is deteriorating. I believe some individuals depicted in the film were real people affected by the tragedy, which makes the already depressing film even sadder; however, the film has an uplifting ending of the firm winning the case. Roberts's dynamite performance makes Brockovich's struggles as a woman realistic, as she endures misogyny, lack of respect, and equal pay in a male-dominated law firm, which stresses the importance of advocating for the people of this community. 

\#35 Origin (2023)

I believe the Academy Awards may have avoided nominating Origin due to its uncomfortable serious subject matter about societal inequalities, as the film was completely snubbed. Adapted from Isabel Wilkerson’s 2020 NYT bestseller “Caste: The Origins of Our Discontent” follows Wilkerson’s (played by Aunjanue Ellis-Taylor) research uncovering the roots of systemic racism in societies and how caste (a social system that divides people into fixed groups based on social hierarchies) defines our societies problems of racial inequality and marginalized groups. Her answers lead her to important forgotten stories of history ranging from one man refusing to do the Nazi salute in a famous photo to a young black boy on a winning mostly all-white ban from using a public pool and having to stay on the other side of the fence as his teammates enjoy the pool. Ellis-Taylor's performance was Oscar-worthy as she channels Wilkerson’s grief of losing the people she loves: husband, cousin, father) all while continuing her research. The best scene of the film features a conversation between Wilkerson and Miss Hale (Audra MacDonald), whom the latter tells why her father named her “Miss,” as a way to stand up for herself against the inferiorities of caste, both actresses deserved wins. This was a hard film to portray sensitively because of the nonlinear narrative and heavy subject matter, but director Ava DuVernay created a masterpiece with this film.

\#34 Hidden Figures (2016)

One of the greatest films of the 2010s, the mesmerizing Hidden Figures tells the true story of three African-American women at NASA who are “human computers,” the brains behind the mission to launch astronaut John Glenn into Earth’s orbit. Set against the backdrop of the Civil Rights Movement, the film highlights the achievements of these three incredible women but also illuminates the challenges and discrimination they faced in a segregated workplace, ultimately showcasing their resilience, intellect, and significant contributions to space exploration. All three actresses—Taraji P. Henson, Octavia Spencer, and Janelle Monáe—deliver outstanding performances, but Henson stands out as the brilliant Katherine Johnson. One scene in particular, where Johnson shouts at her male coworkers that she has to run to the other building to use “the bathroom,” demanding she uses the bathroom in the building is powerful. Johnson’s anger captivates the audience as Henson deserved an Oscar that year for that one scene; however, she was snubbed of a meaningful nomination. I am starting to have a personal vendetta against the Academy Awards because Hidden Figures is golden. 

\#33 The Goonies (1985)

Outer Banks is a ripoff of The Goonies. A show that I have never watched, nor do I plan to, the Netflix trailer portrays the modern-day version of the classic sucks all of the life out of the story and fills it with teenage cliches and cheesy romantic relationships. Instead, watch The Goonies, an overall fun flick about a group of Oregon teenagers who embark on a treasure hunt that will lead them to find the lost fortune of One-Eyed Willy. The teenagers encounter the peril posed by counterfeit criminals who are determined to seize the gold for themselves, adding a touch of classic, one-dimensional villains to the film. With epic action sequences that include a thrilling chase, a waterfall slide, and encounters with skeletons, the movie culminates in an impressive finale that solidifies its status as an iconic '80s classic. The film launched the careers of Ke Huy Quan, Sean Astin, Josh Brolin, and Martha Plimpton with retired actor Jeff Cohen (now a lawyer) as the scene-stealing Chuck. I heard a sequel is in development, but I hope it recreates the same magic as the original. Probably not. 

\#32 Rocky lll (1982)

Look! The original Rocky is good but not great. I found it a little boring, and while the final fight between Rocky and Apollo is legendary, Rocky III is the greatest out of the franchise. I don’t care what critics say. Rocky III is the installment with Mr. T’s Clubber Lang: one of the funniest and greatest villains of the era. The opening montage showcasing Rocky’s rise to stardom that parallels Lang’s anger at the former’s fame is amazing filmmaking. Stallone also gives his best performance out of the series in Rocky III after his coach Mickey dies of a heart attack after being punched by Lang. The anger and grief Stallone captures in Rocky is phenomenal. The film also features the” Gonna Fly Now” with Rocky and Apollo running off the beach together, becoming friends after being opponents in the ring. The final fight between Rocky and Lang is legendary, cementing a rare occasion where a low-rated sequel is better than the original. 

\#31 9 to 5 (1980) 

The final film on this list, 9 to 5, not only features the iconic Dolly Parton song of the same name in the opening but is considered groundbreaking both at the time of its release and today. Jane Fonda, Lily Tomlin, and Dolly Parton star as three women in a male-dominated workplace who befriend one another after facing repeated sexism and sexual advances from their boss Mr. Hart. The three women idealize killing their boss one night, and accidentally thought they had killed him after Tomlin’s character accidentally inserted rat poisoning into his coffee. The middle of the film, which features the three retrieving Hart’s dead body for the hospital, only to realize it is the wrong body, generates great laughs. After Hart returns to work alive the next day, threatening to report the three to the authorities, they lock him up as a prisoner at his home, running the company in his absence. It represents women's empowerment by featuring groundbreaking initiatives at the company, including universal childcare with a daycare center, equal pay for men and women, flexible hours, and job-sharing programs where women can work part-time jobs, which sadly is still irrelevant in today’s workplaces. The backdrop of women's empowerment and three great comedic performances elevated this film into a cinematic classic.

My greatest films: 40-31

I love it when movie critics share their favorite films of all time, and it's something I've wanted to do for a long time. My challenge has been that I hadn't seen enough films I could confidently call “the greatest.” However, now as an adult, I'm able to watch more mature films, which has opened my eyes to various filmmakers, techniques, and actors who I deeply appreciate. Movies are a form of art that deserve recognition and accolades. 

Over the coming months, I will share my top 50 films of all time. Please keep in mind that this list will not be updated as I see more movies. Out of respect for the films I've already selected, I will not include any great works of art I encounter after writing this list. 

I will list my favorite movies from 50 to 41. Note: there are minor spoilers ahead. So, without further ado, get the popcorn ready! 

\#50 Jurassic Park (1993)

Jurassic Park is the greatest, dumbest movie of all time. Dinosaurs in the '90s? What could go wrong? One thing that certainly didn't go wrong was the intricate filmmaking by Spielberg. A master of his craft, he brought the dinosaurs to life using CGI, which was groundbreaking for its time. He expertly cultivates a palpable sense of suspense during the iconic freezer scene in the final act, a moment so tension-filled that it can make even the most seasoned viewer leap out of their seats in shock. The chilling atmosphere is heightened by the flickering lights and eerie sound effects, immersing the audience in a state of anxiety as they anticipate the unexpected. Each heartbeat feels magnified, and the fear of the unknown keeps everyone on the edge of their seats, showcasing the filmmaker's masterful ability to grip the viewer's emotions. Accompanying this visual spectacle is John Williams' extraordinary score, which not only enhances the atmosphere but also evokes deep emotions, transporting viewers into the heart of the Jurassic world. His powerful compositions perfectly complement the film's adventurous spirit, turning every moment into a memorable experience. The sequels cannot undo the brilliance of the original film, which captures exceptional movie magic. 

\#49 The Wave (2015)

The disaster film genre often runs the risk of becoming predictable, filled with explosive sequences, lackluster dialogue, subpar CGI, and a disappointingly formulaic final act. However, The Wave stands out as a notable exception to this trend. This Norwegian cinematic gem skillfully elevates the genre by introducing fresh and engaging elements. The plot centers around a catastrophic avalanche that triggers an 80-foot-tall tidal wave, which unleashes devastation upon a picturesque small town in Norway. Director Roar Uthaug masterfully crafts a sense of realism throughout the film, ensuring that the audience feels the weight of the impending disaster. He goes beyond just thrilling visuals; he develops richly drawn characters whose struggles and relationships resonate on a personal level. This character-driven approach provides a compelling emotional anchor that enhances the tension and stakes of the unfolding catastrophe. The Wave not only delivers heart-pounding action but also offers a poignant exploration of human resilience in the face of nature's unforgiving power.

\#48 E.T. the Extra-Terrestrial (1982)

“I’ll be right here.”  

This poignant final line from E.T. the Extra-Terrestrial resonates deeply, leaving audiences with tears in their eyes and hearts full of emotion. The film masterfully explores the profound bond between a young boy named Elliott and a gentle alien stranded on Earth. Their friendship transcends the boundaries of their vastly different worlds, showcasing themes of compassion and acceptance. The shot of Elliott and E.T. riding on the bike is one of the greatest shots in cinema history as the aesthetics of the moon in the backdrop creates an imaginary innocence we all yearn for from childhood. Drew Barrymore is also a standout on screen in her film debut. Spielberg, once again creates a groundbreaking work that paves the way for future cinematic storytelling, blending science fiction with heartfelt human experiences. Spielberg’s masterful direction and ability to evoke such deep emotional connections further solidify his status as one of the greatest filmmakers in cinematic history.

\#47 Past Lives (2023)

Past Lives was only nominated for two Oscars: Picture and Original Screenplay. Really! The film was robbed. Debut director Celine Song inserted herself into the ranks of Scorcese, Tarantino, and Spielberg with a heartbreaking film with a poignant message. Greta Lee and Teo Yoo delivered the best performances of that year. Two childhood friends share an unbreakable bond and explore narrow alleyways, crafting their elaborate story together. Their world is shattered when Lee’s family is presented with an opportunity to emigrate to South America for a better life. Time drifts them apart and it isn’t until the end of the film that they reconnect for the first time in decades. Yoo's character portrays a heart-wrenching longing for his childhood friend, a love from which Lee has already moved on. The film captures a poignant moment with Lee in tears, reflecting on the life she missed sharing with him. The silence at the end delivers a lasting impact that I will remember forever. 

\#46 Stand by Me (1986)

Nope, this isn't the Ben E. King song of the same name. This is the quintessential Stand by Me, adapted from Stephen King’s short novella, The Body. The story follows four teenage friends growing up in King’s fictional Castle Rock, Maine, in the 1960s. They embark on a journey to find the body of a missing boy, facing dangers such as leeches, bullies, and the wilderness along the way. However, the real treasure of the story lies in their friendship. We all yearn for a friend group like theirs. Unable to fully embrace adulthood, they long to cling to their childhood innocence, sharing ghost stories around the campfire and cherishing their time together before life pulls them apart. When they finally discover the body of the missing boy, they are confronted with the grim reality of death, and a moment of silence signifies their crossing into adulthood. Rob Reiner masterfully directs this pivotal scene, which transforms the film into a classic.

\#45 A League of Their Own (1992)

“There’s no crying in baseball.”

Tom Hanks delivers one of the greatest lines in movie history. He is great in Toy Story, Forrest Gump, and Saving Private Ryan; but A League of Their Own is one of his underrated projects. A fictionalized account of the real All-American Girls Baseball League during World War II playing for the Rockford Peaches. Geena Davis stars as the free-spirited Dottie who abandons her traditional homemaker life to play on the team with her sister, but it is Madonna who steals the film, showcasing her usual promiscuous spirit on and off the field. The ending runs the floodgates every time. The women reunite in present-day at an opening ceremony honoring the team. The themes of independence and women's empowerment hit hard with the stark reminder that women had to trade in their uniforms when the men returned home, indicating the women’s movement had yet to happen.

\#44 The Creator (2023)

Another film that was robbed of at least a year’s Oscars. I am starting to wonder if the Academy Awards are scared to nominate sci-fi flicks. That shouldn’t be the case because The Creator is a masterpiece. Set in the distant future, where artificial intelligence has metamorphosed into humanoids and faces discrimination after causing a nuclear holocaust and war. John David Washington (Denzel Washington’s son) deserved at least an Oscar nomination for his work. He is tasked with delivering a secret technological device to government officials, only to discover it is a small humanoid child. Scarred from losing his wife, he forms a parental bond with the heartfelt child. The child (Madeleine Yuna Voyles) is the breakout star of the film. With little lines, she can capture the viewers with an impressive debut performance. The ending is heartbreaking and depressing, but it leaves a constant reminder that humans are to blame for mankind's actions. 

\#43 Fried Green Tomatoes (1991)

I would have loved to eat fried green tomatoes at the Whistle Shop Cafe and connect with these amazing characters. They don’t feel like movie characters; instead, people. Spanning multiple generations, Fried Green Tomatoes delivers heartfelt laughs, emotional scenes, and the power of female friendship. Half of the film takes place in the ‘30s with Mary Stuart Masterson and Mary Louise Parker and in the 90s with Kathy Bates and Jessica Tandy. The friendships mirror each other, as both pairs face neglect and abuse from their spouses, loss, and resilience growing with one another. Kathy Bates offers a stark contrast between her role as Annie Wilkes in Misery the previous year with an astonishing underrated performance that was robbed of an Oscar nomination. Cmon, Oscars; get it together. 

\#42 Waiting for Guffman (1996)

Christopher Guest is a comedic genius. From turning it up to 11 in This is Spinal Tap, a dog show in Best in Show, and a musical reunion in A Mighty Wind; his best project is Waiting for Guffman. His usual mockumentary filmmaking is present here also as the film depicts Blaine Missouri’s summer low-budget production of Red White and Blaine honoring the 150th anniversary of the town. Guest stars as the flamboyant Corky St. Clair who uses his off-Broadway connections to bring a Broadway critic to review the play to fulfill his dreams of making it to Broadway. Comedic prowesses Catherine O’Hara, Fred Willard, Eugene Levy, and Parker Posey make up the cast. The play is awfully good with horribly written songs including “Stools” about a stool and “Nothing Ever Happens on Mars” about an alien landing in Blaine. Guffman never arrives due to a New York snowstorm in July; however, Guest arrives on our screen with an amazing film. 

\#41 Awakenings (1990)

The final film featured on this list. Awakenings is dynamite. After losing both of my grandparents, the film makes me miss them even more. Robin Williams’ dramatic work is great here playing a fictional character based on Oliver Sacks who discovers a drug that can “awake” people from trance states and dementia. Awakenings showcases the resilience of Williams as he helps his patients adapt to life in the present day. Robert de Niro delivers an underrated performance as a patient awakens for the first time in decades. The patients have found life again, dancing and laughing again. I wish I could hear my grandma laugh again. The ending is heartbreaking as the patients revert to their original trance states, offering a stark reminder of spending the remaining time celebrating with loved ones.

My greatest films: #50-41

Apple TV+ is the gem of prime sci-fi television. The streaming service spawned on the television map after its Emmy award-winning British sports comedy, Ted Lasso; however, its sci-fi shows make the service truly special. Great shows, including Silo and For All Mankind, are personal favorites on the service, though people are truly missing out on one of the best TV shows of all time currently airing: "Severance." 

The show is currently in its second season, having premiered in 2022. Severance follows Mark S. (Adam Scott; "Parks and Recreation") as he works at a fictional biotechnology company called Lumon. Mark agrees to undergo a procedure known as "severance," which separates his work memories from his personal memories. While at work on the “severed floor,” employees, referred to as “innies,” have no recollection of their personal lives, and those at home, known as “outies,” have no memory of their workday.

Mark’s “innie” manages a mysterious department called Macrodata Refinement (MDR) that involves putting strange numbers into files for reasons unknown yet. His coworkers, Dylan G. (Zach Cherry; Fallout) and Irving B. (John Turturro; The Big Lebowski) are introduced to MDR’s newest employee, Helly R. (Britt Lower; Unforgettable), whose rebellious nature against Lumon is threatening the workplace dynamic. Meanwhile, Mark’s “outie” is grieving over the loss of his wife, who died one year before the pilot episode.

The show balances incredible worldbuilding by incorporating gripping mysteries and abnormal weirdness with flawless direction. Comedic actor Ben Stiller (Zoolander) steps behind the camera and the final result is outstanding. Stiller’s direction produces excellent television by highlighting the unique characteristics of the company. Bleak white hallways that resemble the allegory of the brain, weird goat departments, mysterious coworkers (Christopher Walken), a weird wellness director (Dichen Lachman) that gives “innies” facts about their “outies,” dance parties, waffle perks, and a cult-like company conspiracy make for gripping television. 

The acting in the show is phenomenal. While Scott delivers a great performance, it is Lower who truly embodies the heart of the series. Helly’s rebellious nature serves as a surrogate for the audience; she questions why anyone would undergo a “severance” procedure that traps their “innies” on a severed floor indefinitely. This raises important discussions about workers being treated inhumanely and reduced to mere manual labor. Other standout performances include Tramell Tillman as the creepy deputy floor manager, Mr. Milcheck, and Oscar-winning actress Patricia Arquette, who delivers a cold and menacing portrayal of Lumon floor manager Cobel.

Dan Erickson's award-winning writing masterfully draws the audience into a gripping narrative filled with intricate twists and turns. In the first season finale, viewers are treated to dramatic revelations that not only redefine characters and plotlines but also elevate the show’s legacy. This culmination of storytelling brilliance transforms the series into a standout in television history, leaving a lasting impact on its audience and solidifying its status as one of the great, leaving a great cliffhanger into season two.

Severance received 14 nominations at the 74th Primetime Emmy Awards including Outstanding Drama Series, acting nominations for Scott, Turturro, Walken, and Arquette, directing and writing, winning awards for Outstanding Main Title Design and Original Dramatic Score. 

The show is likely to garner even more Emmy awards, thanks to its exceptional second season. With its intricate character development and thought-provoking themes, it truly deserves to be hailed as one of the finest television series of all time, standing proudly alongside iconic masterpieces such as The Wire, The Sopranos, and Succession. Its ability to engage viewers emotionally while exploring complex societal issues sets it apart in the crowded landscape of contemporary television.

New Show to Watch: Severance

I have noticed that American politicians often exploit natural disasters and tragedies with fatalities for political gain. Instead of simply expressing condolences, they blame their political opponents, hoping it will boost their public approval ratings.  

This became evident after the recent midair collision in Washington, D.C., which tragically claimed the lives of 64 civilians on American Airlines Flight 5423, along with three individuals aboard a Black Hawk helicopter.  

In the wake of this tragedy, President Donald Trump began to politicize the event, blaming Fmr. presidents Barack Obama and Joe Biden, as well as Fmr. Secretary of Transportation Pete Buttigieg. He also criticized Diversity, Equity, and Inclusion (DEI) policies for contributing to the accident in a White House press conference.  

It has been reported that only one air traffic controller managed both aircraft, and the approach conditions near Reagan Airport are dangerous. President Trump is familiar with initiating the politicization of crises. 

For instance, he blamed California Governor Gavin Newsom and Los Angeles Mayor Karen Bass for their roles in responding to the Southern California wildfires. He also criticized the response of Biden and Fmr. Vice President Kamala Harris in the aftermath of Hurricane Helene's rainfall in North Carolina, which caused billions of dollars in damages. 

President Trump is not the only one involved in politicization. Florida Governor Ron DeSantis declined to answer a phone call from Vice President Harris, which would have facilitated sending supplies and federal aid to the affected area.  

This issue extends beyond natural disasters. The tragic murder of Laken Riley, a nursing student from Georgia, by an undocumented immigrant sparked outrage across the political spectrum. This led Congress to pass the Laken Riley Act, which stipulates that illegal immigrants can be detained if they are arrested for criminal offenses or theft; however, Riley's family has urged countless times that her murder not be used for political exploitation.

Democrats are no stranger to this issue. The party has politicized mass shootings including Uvalde, El Paso, and the Atlanta school shooting in September to criticize Republicans on passing legislative gun reforms, blaming political opponents on this issue. 

Politicizing tragedies must come to an end. It is not only disrespectful to the families affected and the victims, but it is also deeply unprofessional. As public servants, politicians should focus on helping the public and raising awareness, empowering communities to rebuild together rather than blaming their opponents. This behavior exacerbates the political polarization already present in America, and it is likely to worsen if it continues.

Politicians should express their condolences and demonstrate compassion and kindness in times of tragedy. Citizens expect their local or federal leaders to support them during such difficult moments. Politicians need to visit the affected areas and provide assistance to families in need. These visits should not be used for photo opportunities or to gain political approval, as such actions can be off-putting to the public. Politicians need to act as concerned citizens who genuinely care for their constituents. We are a community after all. Americans looking out for the interests of others.

A PSA to politicians

Books are an intrinsic part of society. Works of art and literature from fiction to nonfiction expand our knowledge and carry us on journeys of self-discovery through the lens of groundbreaking characters and fascinating real-life individuals. They tackle important issues that must be addressed to raise awareness about real-world problems that can potentially change the world.  

In recent years, there has been a concerning trend of numerous books being banned or censured across various educational and public institutions.  This phenomenon is largely driven by actions from school boards, educational organizations, political groups, and certain communities that perceive specific content within these works as objectionable.  

Popular books that are becoming banned include: “The Catcher in the Rye,” “Beloved,” “To Kill a Mockingbird,” “Hunger Games,” “Animal Farm,” “Ulysses,” “Harry Potter,” “The Handmaid's Tale,” among others.  

Many of these books contain themes involving violence, sexual content, drug use, and instances of abuse, which can elicit strong reactions based on differing values, beliefs, and cultural sensitivities. As a result, these entities are increasingly scrutinizing literature, often leading to restrictions that limit access to a diverse range of perspectives and narratives that may challenge or provoke thought in students and readers alike, with many state governors taking action to ban books. 

Former Indiana Governor Eric Holcomb signed a school book-banning bill in 2023 that schools will no longer be allowed to claim legal protection by using educational purposes to provide banned books to minors. However, this isn’t happening just in Indiana, it is happening across the country. 1A recent study by PEN America, a free-speech advocacy group, reveals alarming statistics about the number of books banned each year. 

“During the first half of the 2022-2023 school year, PEN America recorded 1,477 instances of individual books being banned. This represents a 28 percent increase compared to the previous six months, from January to June 2022. These figures indicate more instances of book banning than were recorded in either the first or second half of the 2021-2022 school year. Over this six-month period, more than 800 unique titles were affected, which averages out to over 100 titles removed from student access each month,” PEN America said. 

The number of complaints and objections is likely to keep increasing as conservative groups scrutinize these literary works and voice their strong disapproval of their content. In response, many of these books may be relegated to restricted areas or removed from general circulation altogether.

Consequently, the shelves that once featured a diverse range of literature may become filled primarily with family-friendly children's books that promote particular traditional values. This shift not only reflects changing societal norms but also highlights the tensions surrounding what is deemed appropriate or acceptable in children's literature today.

Banning books limits our rights under the First Amendment of the Constitution: the freedom of speech. Authors are being censored for addressing important issues and exploitative themes that deserve to be discussed. Banning books is not the solution to confronting challenging ideas. Readers need guidance, not censorship. They should have the opportunity to broaden their perspectives and learn about problems they have the power to change in the world. They don’t have to agree with the work’s content. They can reject it and share their voices of disapproval. It is guaranteed in the First Amendment. 


We cannot allow the continuation of this troubling trend where books are systematically banned and removed from circulation. We must promote the inclusion of banned books in our libraries and reading communities. Authors dedicate their time, creativity, and passion to craft stories that reflect diverse perspectives and experiences; their work should be celebrated, not suppressed. Every story has the potential to spark important conversations, challenge societal norms, and enrich our understanding of the world. We must advocate for the freedom to read and ensure that these valuable narratives are accessible for all to engage with and learn from.

Banned books: back on the shelves

We made it! With 2024 in the history books, I believe television has never been better. Given the heated sociopolitical landscape, television is a fantastic escape from our world, with innovative world-building, excellent performances, distinctive storytelling, and pure magic. I have compiled a list of 10 of the greatest shows from the past year, with five honorable mentions beforehand. 

It’s important to note that some highly buzzed-about shows, like The Penguin, Baby Reindeer, Slow Horses, and The Boys, are not on this list, as I haven’t had the chance to watch them yet. I’m sure they would rank highly. Additionally, I have excluded two excellent Apple TV+ sci-fi dramas, For All Mankind and Silo, because For All Mankind had only two episodes in 2024, and its season finale, “Perestroika,” is one of the best television episodes of the past year. Meanwhile, Silo will continue its run in 2025. 

Without further ado, here are my five honorable mentions. 

Girls5Eva (Netflix)

I wish this series could last 4eva! Sadly canceled by Netflix, the final tour of this musical comedy is fantastic. Created by 30 Rock producers, the show follows a 90s girl band trying for a comeback. On the road, they perform cheesy songs for hockey moms, but the leads, including Sara Bareilles and standout Renee Elise Goldsberry as Wickie, are incredibly talented. The show is one of the best, and the final concert tour is on a high note.

Nobody Wants This (Netflix)

This fantastic romantic comedy follows the unlikely relationship between an agnostic podcaster, (Kristen Bell), and a Jewish rabbi, (Adam Brody). Their chemistry is a delight, and the series explores the challenges of converting to Judaism. While there are some Jewish stereotypes, it balances this with great supporting roles, humor, and romantic magic.

Only Murders in the Building (Hulu

)This murder whodunnit comedy thrives in its fourth season, elevating the beloved series with fresh styles and gripping mysteries. From stage to Broadway to Hollywood, the show features celebrity cameos and new additions like Eugene Levy, Zach Galifianakis, and Eva Longoria, ensuring plenty of laughs. At its core, the series maintains the heartfelt dynamic among its three leads: Steve Martin, Martin Short, and Selena Gomez, who bond over their shared interest in true crime.

The Bear (FX)

The award-winning dramedy series about chefs had a slightly undercooked third season, focusing more on food and Carmy’s facial expressions than the storyline. However, the show was still delicious, particularly the sixth episode, “Napkins,” which highlights Tina's (Liza Cólon-Zayas) heartbreaking job search amid age discrimination and features a standout performance by Zayas.

Under the Bridge (Hulu)

Based on the tragic 1997 murder of Reena Virk, this true crime anthology adapts Rebecca Godfrey's book and "Reena: A Father’s Story" by Manjjit Virk. With an investigative approach, it features excellent performances by Riley Keough as Rebecca Godfrey and Lily Gladstone. However, the show's heart lies as the series delves into the secret world of teenage girls, highlighting strong performances from the young cast. Archie Panjabi shines as Reena's mother, especially in a decisive confrontation with one of her daughter's killers.

Here are my top 10 shows from the past year:

\#10 Mr. & Mrs. Smith (Prime Video

)I haven’t seen the 2005 film with Brad Pitt and Angelina Jolie, nor do I feel the need to after watching this thrilling series. Co-created by Donald Glover, known for Community and his Grammy Award-winning music, the show follows John (Glover) and Jane (Maya Erskine), who become secret agents under the guise of a married couple, ‘The Smiths.’ Their contrasting personalities create a playful tension that enhances their espionage missions and leads to an unexpected romance. Glover and Erskine share incredible chemistry, making their adventures even more captivating. The series is filled with dynamic action, clever storylines, and standout guest appearances from Sarah Paulson and Parker Posey, culminating in an exciting finale that keeps viewers eagerly anticipating what comes next in season two. 

\#9 Women in Blue (Las Azules) Apple TV+ 

The show that many missed this year: a gripping Mexican period drama infused with mystery, reminiscent of Law and Order: SVU and Mad Men. Set in the early 1970s, the show is inspired by Mexico City’s first female police force, focusing on four women who challenge traditional gender roles while investigating a serial stalker targeting women at night as they balance their personal lives with the tension mounting with every passing moment. The talented cast delivers electrifying performances, showcasing resilience and determination. A heartbreaking twist forces them to confront their beliefs. The finale will keep viewers on the edge of their seats with a beautiful message of powerful commentary on gender and societal expectations and an unforgettable viewing experience.

\#8 Shrinking (Apple TV+)

Produced by the creators of Ted Lasso, the second season of Shrinking surpasses the first in emotional depth and comedic brilliance. It follows psychiatrist Jimmy, played by Jason Segel, as he navigates the grief of losing his wife in a car accident caused by a drunk driver. A standout performance this season comes from Brett Goldstein, known for his role as Roy Kent in Ted Lasso, portraying the drunk driver with a compelling performance, depicting a man seeking redemption and forgiveness, highlighting the emotional struggles of both the victim's family and the perpetrator. Thanks to a stellar supporting cast, the show balances its heavier themes with humor. Thanks to a stellar supporting cast, Christa Miller adds her trademark wit as next-door neighbor Liz, while Harrison Ford shines as Paul, Jimmy's deadpan boss. Ford balances humor with sage advice, helping to maintain the light-heartedness amid profound moments. The second season is a must-watch for fans of intelligent comedy.

\#7 Abbott Elementary (ABC)

Quinta Brunson’s mockumentary-style comedy series stands out as a hallmark of the current golden age of television and is considered one of the best shows ever created. Set in an underfunded elementary school in Philadelphia, the third season premiered in February and boldly transitioned Brunson's character, Janine Teagues, into the school district, adding new depth to the story. That season also resolved the long-running will-they/won’t-they romance between Janine and fellow teacher Gregory, played by Tyler James Williams, culminating in their becoming a couple. In its fourth season, the show in the fourth grade continues to excel. Standout performances include Janelle James as Ava, the hilariously incompetent principal. Despite her shortcomings in leadership, Ava's sharp comebacks and comedic timing enhance the show’s humor. And a final gift with a hilarious Christmas special, a Christmas show, and a dead uncle make for funny laughs finishing the first semester. 

\#6 Fallout (Prime Video)

After reviewing the video game adaptation of Fallout back in April, I concluded that it surpasses HBO’s The Last of Us in several aspects. Set in a post-apocalyptic world two hundred years after a cataclysmic nuclear holocaust, the story follows vault-dweller Lucy (Ella Purnell). Lucy embarks on a daring quest to the surface in search of her missing father, navigating through a desolate landscape filled with bizarre and mutated creatures. One of the standout features of the show is Walton Goggins's captivating portrayal of The Ghoul, a character that adds depth and intrigue to the narrative. The series is visually stunning, with meticulously crafted sets that bring the haunting beauty of the wasteland to life. The music enhances the atmosphere, perfectly complementing the journey's thrilling adventures and emotional moments. Combining these elements creates an engaging and immersive experience that keeps viewers on the edge of their seats, making it a compelling watch.

\#5 Agatha All Along (Disney+)

2021’s WandaVision was a groundbreaking series in the Marvel Cinematic Universe (MCU), combining a love for television sitcoms with bold storytelling, outstanding performances, and a high level of creativity. Given the recent lackluster Marvel entries, I was skeptical when I first approached its spin-off, Agatha All Along. However, the series pleasantly surprised me, proving to be an exhilarating follow-up.  Agatha All Along focuses on the villainous Agatha Harkness, played brilliantly by Kathryn Hahn. After being freed from her magical imprisonment at the end of WandaVision, she finds herself powerless and sets out to reclaim her abilities by gathering a coven of witches. Their journey down the mythical Witches Road is marked by the catchy musical number “Down The Witches Road,” which captures the essence of their adventure. The series features a standout performance by Broadway veteran Patti LuPone, adding depth to the narrative. Hahn’s portrayal of Agatha is mesmerizing; she embraces her character as pure evil while hinting at the complexity of a bit of good that resists a typical redemption arc. In doing so, Agatha All Along explores themes of ambition and power while enhancing the rich tapestry of the MCU.

\#4 A Man on the Inside (Netflix)

I appreciate Michael Schur, the talented writer behind beloved shows like The Office and co-creator of hits such as Parks and Recreation and Brooklyn Nine-Nine. He also crafted the underrated masterpiece The Good Place, starring Kristen Bell and Ted Danson. With his impressive track record, I had high hopes for his latest project, and I'm pleased to say he exceeded my expectations. In this new series, Ted Danson takes on the role of Charles, a lonely retired professor navigating life after losing his wife. His journey begins when he stumbles upon a classified ad seeking a private investigator to infiltrate a retirement home. Eager to fill the void in his life, he embarks on this unconventional mission. However, as he interacts with the residents, he finds himself drawn away from his original purpose, forging genuine friendships that help him heal. The retirement home serves as a backdrop filled with nostalgia, featuring a cast of veteran actors from the 70s and 80s television. This ensemble pays tribute to their storied careers and adds to the narrative. The show beautifully conveys that aging is not something to fear, highlighting the value of connection and companionship in our later years.

\#3 Somebody Somewhere (HBO)

I’m truly grateful that my parents introduced me to the often-overlooked gem of a show, Somebody Somewhere. After thoroughly enjoying the rich storytelling and character development in the first two seasons, I eagerly anticipated the third and final season with a mix of excitement and nostalgia.  Set against the backdrop of the quaint small town of Manhattan, Kansas, the series weaves a poignant narrative centered around the mid-40-year-old character Sam, (Bridget Everett). Sam is navigating the heavy emotions of grief following the loss of her sister to cancer, a journey that profoundly shapes her experiences and interactions with her best friend, Joel (Jeff Hiller). It serves as a source of comfort but also presents Sam with various challenges that push her to evolve. Another standout aspect of the show is the character of Sam’s sister, Tricia, (Mary Catherine Garrison). Tricia infuses the story with humor and warmth, reminding us of the importance of family bonds even in the face of hardship. Her character adds depth to the exploration of grief, illustrating how laughter can coexist with sorrow. The series finale offers a poignant exploration of grief, resilience, and the need for human connection. Somebody Somewhere becomes more than just entertainment; it's an emotional journey that stays with you long after watching.

\#2 Squid Game (Netflix) 

When this show premiered three years ago, it quickly became a cultural phenomenon. The intense “Red Light, Green Light” game, featuring the giant doll and soldiers, became iconic, inspiring many Halloween costumes. The series thrived on its exploration of capitalism, blending thrilling action with emotional storytelling. Exceptional performances by Hoyeon Jung and Lee Jung-Jae as Seong Gi-hun deepened the audience's connection to the characters, creating a lasting impact that resonated throughout the entertainment landscape. While the second season may not replicate the same unexpected twists and turns that characterized the first installment, it effectively builds upon the established narrative. It deepens Gi-hun’s arc, making it a strong story continuation set three years after the last season, Gi-hun again enters the deadly games to end them. Don't worry—new games and exciting characters will ensure that repetitive storylines do not occur. Among the great characters, this season are a transgender soldier becoming a fan favorite, a mother-and-son duo, a rapper named “Thanos,” a pregnant woman and her crypto boyfriend, and the unexpected arrival of a player in the third episode, which contributes to an exhilarating ride. This season, one of my favorite games is where players must rotate on a moving carousel and enter rooms before time runs out. Although the final episode leaves viewers on a frustrating cliffhanger, the following season cannot arrive soon enough.

\#1 Shogun (FX)

Shōgun deserves the top spot on my list: it’s a show that delivers groundbreaking performances, some of the best dialogue on television, epic action sequences, and a fantastical yet richly detailed historical world that feels like a character in its own right. This series is a remake of the 1980 miniseries of the same name, based on the bestselling book by James Clavell, and it has been gifted two more seasons. Set in feudal Japan in the late 1500s, the story follows Blackthorne (Cosmo Jarvis), who is shipwrecked in an unknown land and finds himself caught in the struggle between rival daimyos, including Lord Toranaga (Hiroyuki Sanada). The enigmatic translator Mariko (Anna Sawai) must pledge her allegiance to Toranaga. While Jarvis and Sanada deliver incredible performances, the show’s heart lies with Sawai, who gives the best performance of the year as Mariko. She adds a layer of grief and sadness to her character, particularly in her outstanding monologue during the series' best episode, "Crimson Sky." Tadanobu Asano (Golden Globe Winner) also shines as Yabushige, providing comedic relief in this dramatic tale. The show is a masterpiece that redefines television, merging captivating storytelling with rich character development and breathtaking visuals. Masterpieces like this deserve to be recognized and celebrated for their artistic achievements.

An exhilarating year of television: highlighting the best shows of 2024

Jazz lovers, mark your calendars! The LPHS Jazz Bands present their 34th Annual Jazz Fest on Friday, May 2nd at 7:00 PM in the LPHS Performing Arts Center. This exciting evening of exceptional music features renowned artists Sharel Cassity, Eric Jacobson, Lara Driscoll, Kirby Fellis, Clark Sommers, and Dana Hall. Adult tickets are $10, while students get in free! Come experience an unforgettable night of jazz performances showcasing both celebrated musicians and talented student performers. See you there!

La Porte Community School Corporation

Don't Miss the Beat! LPHS Jazz Bands' 34th Annual Jazz Fest Arrives May 2nd

The La Porte Educational Development Foundation would like to invite you to the [_Evening With the Stars_](https://drive.google.com/file/d/1JXCDOu6odWJpDGFN5PS6LkLev7SfJHUG/view?usp=sharing) Staff Recognition Event on May 15, 2025. If you haven’t already done so, please take a moment to confirm your attendance by submitting your RSVP at your earliest convenience.

As a reminder, please note that RSVPs are only being accepted through the [event website](https://events.blackbirdrsvp.com/lpeveningwiththestars). **All staff and their guests are required to RSVP by May 1 to secure their spot.** This is a required step to ensure an accurate headcount for catering.

[**Please RSVP by**](https://events.blackbirdrsvp.com/lpeveningwiththestars) **May 1, 2025.** 

Your prompt response will enable us to make the necessary arrangements, and we truly appreciate your cooperation.

Join Us for an Evening With the Stars Staff Recognition Event on May 15, 2025

Alice in Wonderland Jr. opens at the Kesling Campus Auditorium on Friday, April 11th, and the cast and crew cannot wait to share this show with you. Make plans to see these talented and hard-working Slicers!

Get your tickets [HERE](https://golpslicers.com/Events)!

> **SHOWTIMES:**

> Friday, April 11 @ 7:30 PM

> Saturday, April 12 @ 4:00 PM

> Sunday, April 13 @ 2:00 PM

Alice in Wonderland Jr. Opens at the Kesling Campus Auditorium

Attention former students who received special education services through the South La Porte County Special Education Cooperative between 2018 and 2019: Please review the notice regarding the upcoming destruction of special education records. If you wish to obtain your records before they are destroyed on July 1, 2025, you must submit a request by June 15, 2025. These records may contain important information for future educational accommodations, disability documentation, or personal records. Don't miss this opportunity to secure your information before it's permanently removed. [Please read the full notice on the Special Education web page here](https://www.lpcsc.k12.in.us/en-us/special-education-cdf3bd4f).

Special Education Records Destruction Notice

### 🎙️NEW PODCAST EPISODE!

Step inside LPCSC early childhood learning with Little Learners Principal Becky Jeffers and Preschool Teacher Jeannette Raymond to discover the district's research-based curriculum, inclusion practices, and plans for a new Early Childhood Center. Learn how this center will expand opportunities for La Porte's youngest learners through full-day programs, transitional kindergarten, and greater access for working families.

Inside Early Childhood Learning

**Kindergarten Round-Up**

**Date:** February 19, 2025

**Location:** Elementary School Buildings ([See Information](https://www.canva.com/design/DAGedl5w0jM/ZO0EbieeZAu8ZHf29MBBQg/view?utm_content=DAGedl5w0jM\&utm_campaign=designshare\&utm_medium=link2\&utm_source=uniquelinks\&utlId=h19e18da5c9))

**Required Documents for Kindergarten Enrollment:**

*   Birth Certificate

*   Proof of Residency *(one of the following: Utility Bill, Mortgage Statement, Lease Agreement)*

*   Immunization Records

**Process**

The kindergarten round-up process will be the same as in previous years, with in-person registration at the elementary schools.

Kindergarten Registration

🎙️ NEW PODCAST! 

"Inside LaPorte Schools" launches with a special two-part series exploring the Kesling Campus. Join Dr. Wood as she sits down with Principal Bill Wilmsen, Counselor Melissa Mrozinski, and Teacher Laurie Scroggin to discuss the evolution and opportunities of our 5-8 campus model. From initial challenges to current successes, get the inside scoop on what makes Kesling unique .[Listen here!](https://www.lpcsc.k12.in.us/en-us/inside-la-porte-schools-district-podcast-d90fd1b9)

Inside La Porte Schools Podcast

South La Porte County Special Education Cooperative is hosting open interviews for Special Education Classroom Aide positions this February. The interviews will occur at the LPCSC ESC Building on the Boston campus, 1000 Harrison Street.

Interview sessions are scheduled for Tuesday, February 4th, from 12:00 - 3:00 PM and Thursday, February 6th, from 8:00 - 11:00 AM. The corporation seeks candidates for various grade levels and program types, offering competitive hourly compensation between $12-$14.

These positions represent rewarding opportunities to make a difference in special education. Interested candidates can attend either session, but no appointment is necessary.

For additional information, contact LPCSC at (219) 324-3287 or visit lpcsc.k12.in.us.